London Calling
- Label
-
Epic
- Running length
- 34 tracks
- Running time
- 101:44
Tags
Tracklist
| Track | Duration | Listeners | ||||
| 1 | London Calling | 3:19 | 754,424 | |||
| 2 | Brand New Cadillac | 2:10 | 320,619 | |||
| 3 | Jimmy Jazz | 3:56 | 302,742 | |||
| 4 | Hateful | 2:45 | 277,733 | |||
| 5 |
|
Rudie Can't Fail | 3:08 | 337,244 | ||
| 6 | Spanish Bombs | 3:18 | 321,070 | |||
| 7 | The Right Profile | 3:57 | 240,938 | |||
| 8 |
|
Lost in the Supermarket | 3:46 | 340,850 | ||
| 9 | Clampdown | 4:26 | 305,899 | |||
| 10 |
|
The Guns of Brixton | 3:09 | 397,976 | ||
| 11 | Wrong 'Em Boyo | 3:12 | 223,685 | |||
| 12 |
|
Death or Glory | 3:55 | 265,292 | ||
| 13 | Koka Kola | 1:49 | 232,333 | |||
| 14 | The Card Cheat | 3:48 | 217,792 | |||
| 15 | Lover's Rock | 4:05 | 205,308 | |||
| 16 | Four Horsemen | 2:57 | 200,589 | |||
| 17 | I'm Not Down | 3:05 | 210,606 | |||
| 18 | Revolution Rock | 5:37 | 214,617 | |||
| 19 |
|
Train in Vain | 3:09 | 316,689 | ||
| 2 | Rudi Can't Fail | 3:10 | 4,837 | |||
| 3 | Paul's Tune | 2:32 | 17,125 | |||
| 6 | Koka Kola, Advertising & Cocaine | 1:57 | 14,492 | |||
| 9 | Lonesome Me | 2:08 | 14,854 | |||
| 10 |
|
The Police Walked in 4 Jazz | 2:19 | 15,191 | ||
| 12 | Up-Toon (Instrumental) | 1:56 | 5,194 | |||
| 13 |
|
Walking the Slidewalk | 2:34 | 13,968 | ||
| 14 | Where You Gonna Go (Soweto) | 4:03 | 13,214 | |||
| 15 |
|
The Man in Me | 3:57 | 14,329 | ||
| 16 |
|
Remote Control | 3:00 | 154,018 | ||
| 17 |
|
Working and Waiting | 4:10 | 12,946 | ||
| 18 |
|
Heart and Mind | 4:27 | 2,487 |
About this album
London Calling is the third album by English punk rock band The Clash, released 14 December 1979, on CBS Records in the UK and in January 1980 on Epic Records in the United States. The album represented a change in The Clash’s musical style, and featured elements of ska, pop, soul, rockabilly and reggae more prominently than in their previously released music. The album’s subject matter included unemployment, racial conflict, drug use, and the responsibilities of adulthood.
The album’s cover was photographed by Pennie Smith and designed by Lowry. It was a homage to the design of Elvis Presley’s debut album.
The album’s cover was photographed by Pennie Smith and designed by Lowry. It was a homage to the design of Elvis Presley’s debut album.
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