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Morton Feldman


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Morton Feldman (born January 12, 1926, died September 3, 1987) was an American composer. He is best known for his instrumental pieces which are frequently written for unusual groups of instruments, feature isolated, carefully chosen, predominantly quiet sounds, and are often very long.

Feldman was born in New York City. He studied piano with Madame Maurina-Press, a pupil of Ferruccio Busoni, and later composition with Wallingford Riegger and Stefan Wolpe. He did not agree with many of the views of these composition teachers, and he spent much of his time simply arguing with them. Feldman was composing at this time, but in a style very different from that with which he would later be associated.

In 1950, Feldman went to hear the New York Philharmonic give a performance of Anton Webern’s Symphony. At the concert, he met John Cage, and the two became good friends. Under Cage’s influence, Feldman began to write pieces which had no relation to compositional systems of the past, such as the constraints of traditional harmony or the serial technique. He experimented with non-standard systems of musical notation, often using grids in his scores, and specifying how many notes should be played at a certain time, but not which ones. Feldman’s experiments with the use of chance in his composition in turn inspired John Cage to write pieces like the Music of Changes, where the notes to be played are determined by consulting the I Ching. aleatoric music and indeterminate music.]


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  • sqmaster1234

    come to brazil [4]

    26 Feb 5:01pm Reply
  • REDvv

    The complexity of minimalism (though he composed before the "minimalist" trend)

    6 Feb 12:24am Reply
  • kynodontas

    come to brazil [3]

    30 Dec 2014 Reply
  • pimkach

    it is wonder

    22 Sep 2014 Reply
  • dragonkeeper06

    come to brazil [2]

    10 Sep 2014 Reply
  • auhasard

    come to brazil

    14 Aug 2014 Reply
  • Selenaru_Negrea

    Patterns in a Chromatic Field deserves more plays...

    29 Jul 2014 Reply
  • CosmicPi


    26 Jul 2014 Reply
  • I0000days

    He's like my neighbour Totoro. ^^

    21 Jun 2014 Reply
  • Tuntury

    I put it back:

    4 May 2014 Reply
  • Romanshower

    I miss that colour picture.

    26 Mar 2014 Reply
  • Jaina999

    Хороший дядька.

    18 Mar 2014 Reply
  • Tuntury

    What happened to that coloured picture of him? It was lovely.

    26 Feb 2014 Reply
  • HaHaHaYoureDead

    если Кейдж - лучший теоретик нью-йоркского авангарда, то Фельдман - лучший мелодист

    5 Feb 2014 Reply
  • lennford

    When I die bury me inside the cello-store

    16 Jan 2014 Reply
  • marshling

    not me Anonymous 01/08/14(Wed)01:28 UTC No.43206375 [Reply]Replies: >>43206579 itt: pleb stories >chilling with friends >put morton feldman's second string quartet >confront myself and my self (as an ontological historical entity) with the mirror of atonality (as a mirror is not an empathic but a reflexive entity, alien to the space and time it reflects and only existing by itself in relation to the other) and realize the boundaries of human thought, comprehension and consciousness >reach rational ecstasy >pleb friend gets up and says "what is this silence shit, lmao, put some nirvana" >get angry at their rockist subaltern consumption conditioned by the structures of power of the imperialist white economies, but contain it >calm myself down by remembering quotes from finnegans wake, my favorite book since i was a teenager >mfw can't express myself because i'm a spectator in the society of spectacle

    8 Jan 2014 Reply
  • njcfm

    true musicians are fat [2]

    11 Nov 2013 Reply
  • copticlight

    tough as nails

    11 Nov 2013 Reply
  • GiaNXGX

    necessary ballot

    5 Oct 2013 Reply
  • yourmilk

    It's amazing though so who cares

    3 Oct 2013 Reply
  • All 171 shouts

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