Iannis Xenakis
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In 1932 his family returned to Greece, and he was educated on Spetsai and at the Athens Polytechnic, where he studied engineering. In 1947 he arrived in Paris, where he became a member of Le Corbusier’s architectural team, producing his first musical work, Metastasis, only in 1954, based on the design for the surfaces of the Philips pavilion to be built for the Brussels Exposition of 1958. This, with its divided strings and mass effects, had an enormous influence; but in ensuing works he moved on to find mathematical and computer means of handling large numbers of events, drawing on (for example) Gaussian distribution (ST/10, Atrées), Markovian chains (Analogiques) and game theory (Duel, Stratégie). Other interests were in electronic music (Bohor, 1962), ancient Greek drama (used in several settings) and instrumental virtuosity (Herma for piano, 1964; Nomos alpha for cello, 1966).
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Chamber Music 1955-1990
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Electronic Music
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Ensemble Intercontemporain
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Iannis Xenakis Remixes
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TowarzyszCK, huge_ancestor, chukimai and 12 other people added Iannis Xenakis to their libraries. yesterday evening
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jangze tagged Iannis Xenakis with ‘avant-garde’. Wednesday afternoon
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MrLJM wrote about Iannis Xenakis in a deleted journal. 11 days ago
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MrLJM wrote about Iannis Xenakis in a deleted journal. 12 days ago
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Groups (99)
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Algorithmic Composition
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