Class Clown Spots A UFO

Label
GBV Inc
Release date
12 Jun 2012
Running length
21 tracks
Running time
39:44

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Tracklist

    Track     Duration Listeners
1 He Rises! Our Union Bellboy 3:01 4,505
2 Blue Babbleships Bay 1:18 5,902
3 Forever Until It Breaks 3:16 5,517
4 Class Clown Spots a UFO 3:17 8,131
5 Chain To The Moon 1:00 5,112
6 Hang Up and Try Again 2:15 4,833
7 Keep It In Motion 2:06 7,041
8 Tyson’s High School 2:35 1,317
9 They and Them 1:09 4,304
10 Fighter Pilot 1:00 4,306
11 Roll Of The Dice, Kick In The Head 0:46 4,231
12 Billy Wire 2:03 4,296
13 Worm w/ 7 Broken Hearts 0:50 3,863
14 Starfire 1:26 4,007
15 Jon the Croc 2:32 4,088
16 Fly Baby 1:42 3,759
17 All Of This Will Go 1:46 3,851
18 The Opposite Continues 1:37 3,583
19 Be Impeccable 2:56 3,462
20 Lost In Spaces 0:51 2,642
21 No Transmission 2:18 3,413

About this album

2nd GBV album recorded with the reunited lineup of Robert Pollard, Tobin Sprout, Mitch Mitchell, Greg Demos, and Kevin Fennell. Original release date was to be 5/22/2012 but it was pushed back due to the success of Let’s Go Eat The Factory.

Original Release Notes:
The new Guided by Voices album is the best thing the band has recorded since the last album by the legendary Dayton, Ohio, rockers. That’s not meant facetiously: the last thing Guided by Voices did was the rapturously received Let’s Go Eat the Factory, and Class Clown Spots a UFO ups the ante raised by that stellar effort, both in terms of recording fidelity (boring!) and songcraft (not boring!) One could argue there’s more depth and variety here than on Alien Lanes, that there are better songs here than on Bee Thousand, but that’s an argument no one’s ever going to win, at least definitively. And this album is a win, by any definition.

Class Clown is classic GBV, starting with the head-body-head combination of “He Rises (Our Union Bellboy),” “Blue Babbleship Bay,” and “Forever Until It Breaks” before finishing you off with the title track, a ridiculously catchy, melodically complex, shot-through-with-melancholia song that serves as a sadder and wiser riposte to XTC’s “Making Plans for Nigel” as performed by The Hollies.
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