Fall of Efrafa
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Fall of Efrafa – 03 For El Ahrhirah To Cry
Biography
Brighton, United Kingdom (2005 – 2009)
Fall of Efrafa was a concept band formed in Brighton, United Kingdom, in 2005. It started life as a cello-driven hardcore band, yet after various line-up changes, they focused on creating their own sound, mixing elements of post-rock, post-metal and ambient folk black metal, taking influence from bands such as Neurosis, Godspeed You! Black Emperor, Agalloch and Buried Inside. They described their music as heavy atmospheric post-hardcore.
The concept was based loosely around their own interpretation of the mythology in the novel Watership Down by Richard Adams. The band created a trilogy of records known collectively as “The Warren of Snares”: Owsla (guardian), Elil (enemy), and Inlé (death). The narrative behind the lyrics followed a society on the brink of social collapse, under a theocratic rule. An uprising occurs in the face of a greater enemy. Characters from the book, and the make-believe language known as ‘lapine’, were included in both the artwork and lyrics.
The band received a lot of praise for their music, both for the concept surrounding the band - a mix of mythological language and imagery amidst anti-religious, animal rights ideologies - and the music itself, although fans are often divided, when pigeon-holing their sound.
The band was staunchly DIY, but managed to sidestep specific labels by incorporating a mixture of disparate post-rock and avant-garde/folk black metal passages and hardcore punk influences.
The concept was based loosely around their own interpretation of the mythology in the novel Watership Down by Richard Adams. The band created a trilogy of records known collectively as “The Warren of Snares”: Owsla (guardian), Elil (enemy), and Inlé (death). The narrative behind the lyrics followed a society on the brink of social collapse, under a theocratic rule. An uprising occurs in the face of a greater enemy. Characters from the book, and the make-believe language known as ‘lapine’, were included in both the artwork and lyrics.
The band received a lot of praise for their music, both for the concept surrounding the band - a mix of mythological language and imagery amidst anti-religious, animal rights ideologies - and the music itself, although fans are often divided, when pigeon-holing their sound.
The band was staunchly DIY, but managed to sidestep specific labels by incorporating a mixture of disparate post-rock and avant-garde/folk black metal passages and hardcore punk influences.
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Owsla
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Inlé
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Elil
8,760 listeners3 tracks
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Tharn
2,388 listeners1 track
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