Billy Preston
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Billy Preston – My Sweet Lord
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Billy Preston (9 September, 1946 - 6 June, 2006) was a child prodigy pianist. He performed with Mahalia Jackson at the age of 16 and appeared as a young W.C. Handy in a 1958 bio pic. His first solo record was a gospel album called “16 Year Old Soul”.
Preston first came to widespread attention of a U.S. mainstream audience as the organist (and sometimes vocalist) in the house band on the television show “Shindig,” popular during 1964-66.
On tour backing Little Richard & Sam Cooke he met the Beatles (early in their career) in Hamburg, Germany (1962). He was later invited by George Harrison to join The Beatles in the studio for the filming/recording of Let It Be (1970). Preston’s most memorable performance with the Beatles is on the track Get Back.
The apparent reason for the collaboration was the project was being done live—without overdubs—and the Beatles wanted a second keyboardist. Preston’s soulful style was to compliment the rhythm-and-blues approach the Beatles had for this album. His was a genre they’d grown up listening to and were reaching back to/paying tribute to.
Another apparent reason for Preston’s involvement was to buffer the growing tensions between the members of the band (that had started around the time of filming). Everyone set aside their differences to make Preston feel welcome at the sessions.
Preston first came to widespread attention of a U.S. mainstream audience as the organist (and sometimes vocalist) in the house band on the television show “Shindig,” popular during 1964-66.
On tour backing Little Richard & Sam Cooke he met the Beatles (early in their career) in Hamburg, Germany (1962). He was later invited by George Harrison to join The Beatles in the studio for the filming/recording of Let It Be (1970). Preston’s most memorable performance with the Beatles is on the track Get Back.
The apparent reason for the collaboration was the project was being done live—without overdubs—and the Beatles wanted a second keyboardist. Preston’s soulful style was to compliment the rhythm-and-blues approach the Beatles had for this album. His was a genre they’d grown up listening to and were reaching back to/paying tribute to.
Another apparent reason for Preston’s involvement was to buffer the growing tensions between the members of the band (that had started around the time of filming). Everyone set aside their differences to make Preston feel welcome at the sessions.
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Ultimate Collection
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Ultimate Collection: Billy Preston
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Billy's Bag
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20th Century Masters: The Millennium Collection: Best Of Billy Preston
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