Magneta Lane
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Biography
Toronto, Canada (2003 – present)
Magneta Lane are a Canadian indie band hailing from Toronto, Ontario. The all-female line-up consists of Lexi Valentine (vocals, guitar), French (bass), and Nadia King (drums). The band has received critical acclaim for their debut EP The Constant Lover.
The group formed after Valentine and King attended a Libertines concert and got to meet the band backstage. After the meeting they decided that watching a concert wasn’t satisfying enough. The trio came together in fall 2003 and spent the next year playing shows in and around their native Toronto. Since then, they have broken into international indie scenes, and continue to break new ground. They craft a brash, sassy rock sound that resonates the confidence of The Runaways and The Pretenders while honoring such influences as Nancy Sinatra, Sonic Youth, and The Kinks.
Witches, like Joan Jett, famously have a bad reputation.
It’s an ill-founded reputation, of course, and basically a lingering vestige of 700-year-old male terrors run amok in the face of women who dared behave in manners that transgressed a very narrow conception of womanhood. Those same male terrors, mercifully, tend not to end in water torture and stake burnings nowadays. Witches still get a rough ride, though, be they actual witches (who do exist and, for the record, tend to be far more accepting and open-minded folk than people who sit around all day fretting about witches) or simply women who get tagged as “witches” or some variant thereof because – you got it – they dare behave in manners that transgress a very narrow conception of womanhood.
The group formed after Valentine and King attended a Libertines concert and got to meet the band backstage. After the meeting they decided that watching a concert wasn’t satisfying enough. The trio came together in fall 2003 and spent the next year playing shows in and around their native Toronto. Since then, they have broken into international indie scenes, and continue to break new ground. They craft a brash, sassy rock sound that resonates the confidence of The Runaways and The Pretenders while honoring such influences as Nancy Sinatra, Sonic Youth, and The Kinks.
Witches, like Joan Jett, famously have a bad reputation.
It’s an ill-founded reputation, of course, and basically a lingering vestige of 700-year-old male terrors run amok in the face of women who dared behave in manners that transgressed a very narrow conception of womanhood. Those same male terrors, mercifully, tend not to end in water torture and stake burnings nowadays. Witches still get a rough ride, though, be they actual witches (who do exist and, for the record, tend to be far more accepting and open-minded folk than people who sit around all day fretting about witches) or simply women who get tagged as “witches” or some variant thereof because – you got it – they dare behave in manners that transgress a very narrow conception of womanhood.
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Dancing With Daggers
19,724 listeners10 tracks
Released:
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The Constant Lover
17,140 listeners6 tracks
Released:
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Gambling With God
3,147 listeners10 tracks
Released:
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Bridge to Terabithia
10 listeners1 track
Released:
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