Count Basie
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As a pianist, he had a distinctive and influential style (the song title “Splanky” is an onomatopoetic reference to the sound of his playing), equally at home in the barrelhouse and the concert hall. Willie “The Lion” Smith, James P. Johnson, and Fats Waller were among his influences.
As a bandleader, he created an organization (built upon the remains of Bennie Moten’s Kansas City Orchestra) that was a favorite both of dancers and of vocalists such as Frank Sinatra, Ella Fitzgerald, and Sarah Vaughan, and of course Billie Holiday. Equally important, it kept many musicians employed through lean years. Many jazz musicians of note built their chops and earned their bread and butter in Basie’s organization.
In addition to Basie, the swinging “All American Rhythm Section” of his orchestra included greats such as Walter Page (bass), Jo Jones (drums), and Freddie Green (guitar). It was the greatest, most swinging rhythm sections in the history of jazz. Chief among its vocalists were, first, Jimmy Rushing and, later, Joe Williams. Over the years it boasted sidemen and soloists like Herschel Evans (tenor sax), Lester Young (tenor sax), Eddie “Lockjaw” Davis (tenor sax), Buddy Tate (tenor sax), Illinois Jacquet (tenor sax), Earle Warren (alto sax)
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The Great Master
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Story
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April In Paris
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One O'clock Jump
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Jumpin' At The Woodside
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The Kid from Red Bank
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Lester Leaps In
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Splanky
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Jive At Five
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Corner Pocket
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Blue and Sentimental
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Swingin' the Blues
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Shiny Stockings
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Topsy
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Dark Rapture
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Every Tub
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Honeysuckle Rose
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wasili1, robkalshoven and Jaerael added Count Basie to their libraries. 11 minutes ago
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eryqah tagged Count Basie with ‘late 1950s-early 1960s’. Friday afternoon
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Groups (57)
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Count Basie
32 members
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Jook Joint
37 members
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Round Midnight
173 members
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Clifford Brown
61 members
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Swing Dancers
348 members
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