Tamba Trio
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Tamba Trio – Mas Que Nada
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Biography
Tamba Trio:
(1962-1964):
Luiz Eça
Bebeto Castilho
Hélcio Milito
(1964-1966):
Luiz Eça
Bebeto Castilho
Rubens Ohana
(1967/1968):
Luiz Eça
Bebeto Castilho
Rubens Ohana
Dório Ferreira
(1969):
Laercio de Freitas
Bebeto Castilho
Rubens Ohana
Dório Ferreira
(1974/1975 e 1982-1984):
Luiz Eça
Bebeto Castilho
Hélcio Milito
(1989-1992):
Luiz Eça
Bebeto Castilho
Rubens Ohana
The principal and most talented bossa nova group of the ’60s, Tamba Trio started take form following the great singer Maysa Matarazzo and later the singer Leny Andrade in one season in boate Manhattan (Rio de Janeiro), acting to the side of Luiz Carlos Vines (piano) and Robert Menescal (violão).
First steady group of instrumental music in Bossa Nova, was pioneering in the use of microphones hung in the lapel in the presentations to the living creature, what the vocalizations executed for its integrant ones became more exciting.
Tamba Trio not only played a wide range of instruments but also contributed incredibly close harmony vocals. (Most bossa nova groups specialized in either vocals or musicianship, but not both.) Taking their name from a type of drum used by Milito, the trio formed in the early ’60s and rode a wave of bossa nova popularity through the rest of the decade. From their self-titled 1962 debut, “O Barquinho” became a big hit in Brazil.
(1962-1964):
Luiz Eça
Bebeto Castilho
Hélcio Milito
(1964-1966):
Luiz Eça
Bebeto Castilho
Rubens Ohana
(1967/1968):
Luiz Eça
Bebeto Castilho
Rubens Ohana
Dório Ferreira
(1969):
Laercio de Freitas
Bebeto Castilho
Rubens Ohana
Dório Ferreira
(1974/1975 e 1982-1984):
Luiz Eça
Bebeto Castilho
Hélcio Milito
(1989-1992):
Luiz Eça
Bebeto Castilho
Rubens Ohana
The principal and most talented bossa nova group of the ’60s, Tamba Trio started take form following the great singer Maysa Matarazzo and later the singer Leny Andrade in one season in boate Manhattan (Rio de Janeiro), acting to the side of Luiz Carlos Vines (piano) and Robert Menescal (violão).
First steady group of instrumental music in Bossa Nova, was pioneering in the use of microphones hung in the lapel in the presentations to the living creature, what the vocalizations executed for its integrant ones became more exciting.
Tamba Trio not only played a wide range of instruments but also contributed incredibly close harmony vocals. (Most bossa nova groups specialized in either vocals or musicianship, but not both.) Taking their name from a type of drum used by Milito, the trio formed in the early ’60s and rode a wave of bossa nova popularity through the rest of the decade. From their self-titled 1962 debut, “O Barquinho” became a big hit in Brazil.
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