Logan Lynn
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Biography
If the Land of Misfit Toys elected a team of cultural ambassadors, Logan Lynn would be its poet laureate. In Portland’s pulsating music scene, he occupies a singular position- a pop prophet with a penchant for electronic beats, preaching the Good Word to drug-damaged crybabies.
After getting a lo-fi mixtape from 1998 called “This Is Folk Techno” into the right hands, he released his debut album in 2000. Logan Lynn’s “GLEE” is a blissful, sex-drenched romp through some emotionally treacherous territory. Produced by Pfog, heavy themes of religion, sexuality and identity played out alongside upbeat grooves and smiley-face rhythms. Logan Lynn’s debut blended spleen-venting lyrics with “Let’s Dance!” optimism and it’s been said that Lynn “puts the DISCO back into DISCOMFORT.”
His self-titled sophomore effort was released in 2006, using his earlier work as a springboard for exploring fresh sonic territory. The album release coincided with a performance for a crowd of over 400,000 alongside The Presets, Bob Mould and My Life With The Thrill Kill Kult at San Francisco’s Folsom Street Fair. The release of “Logan Lynn” brought with it five music videos which can, for all intents and purposes, be credited for putting Lynn’s music on the map.
A remix collaboration with Producer Carlos Cortes of Portland DJ collective Assemble The Empire yielded an E.P. entitled “Feed Me To The Wolves”, which was released in the fall of 2007, as well as a demo E.
After getting a lo-fi mixtape from 1998 called “This Is Folk Techno” into the right hands, he released his debut album in 2000. Logan Lynn’s “GLEE” is a blissful, sex-drenched romp through some emotionally treacherous territory. Produced by Pfog, heavy themes of religion, sexuality and identity played out alongside upbeat grooves and smiley-face rhythms. Logan Lynn’s debut blended spleen-venting lyrics with “Let’s Dance!” optimism and it’s been said that Lynn “puts the DISCO back into DISCOMFORT.”
His self-titled sophomore effort was released in 2006, using his earlier work as a springboard for exploring fresh sonic territory. The album release coincided with a performance for a crowd of over 400,000 alongside The Presets, Bob Mould and My Life With The Thrill Kill Kult at San Francisco’s Folsom Street Fair. The release of “Logan Lynn” brought with it five music videos which can, for all intents and purposes, be credited for putting Lynn’s music on the map.
A remix collaboration with Producer Carlos Cortes of Portland DJ collective Assemble The Empire yielded an E.P. entitled “Feed Me To The Wolves”, which was released in the fall of 2007, as well as a demo E.
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