Amon Tobin
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Amon Tobin (born Amon Adonai Santos de Araújo Tobin on February 7, 1972) is a Brazilian musician, composer and producer of electronic music. He is described as a virtuoso sound designer and is considered to be one of the most influential electronic music artists in the world. He is noted for his unusual methodology in sound design and music production. He has released seven major studio albums under the London-based Ninja Tune record label.
It began for him sometime in the mid-90s when, as a fresh-faced Brazilian ex-pat living in the UK, he decided he was going to put down his harmonica, pick up a sampler, and name himself after a Stephen King novel. The resulting album, Cujo’s Adventures in Foam (released on Ninebar records, later reissued on Ninja Tune) signalled Amon Tobin’s entry into the world of music.
Immediately upon hearing this record, the powers that be at Ninja Tune signed him up to record as Amon Tobin, and he quickly went to work on his debut Bricolage. If you’ll recall, these were the trip-hop years for electronic music, where any clown with a sampler and a collection of Blue Note records could knock off some half-baked boutique hotel background music. But Bricolage shone above all that. Although employing a marriage of jazz and beats, it stretched it further by bringing in elements of bossa-nova, batucada, and jungle, and combining it with a sense of song-writing that elevated it above the standards of that aforementioned scene.
It began for him sometime in the mid-90s when, as a fresh-faced Brazilian ex-pat living in the UK, he decided he was going to put down his harmonica, pick up a sampler, and name himself after a Stephen King novel. The resulting album, Cujo’s Adventures in Foam (released on Ninebar records, later reissued on Ninja Tune) signalled Amon Tobin’s entry into the world of music.
Immediately upon hearing this record, the powers that be at Ninja Tune signed him up to record as Amon Tobin, and he quickly went to work on his debut Bricolage. If you’ll recall, these were the trip-hop years for electronic music, where any clown with a sampler and a collection of Blue Note records could knock off some half-baked boutique hotel background music. But Bricolage shone above all that. Although employing a marriage of jazz and beats, it stretched it further by bringing in elements of bossa-nova, batucada, and jungle, and combining it with a sense of song-writing that elevated it above the standards of that aforementioned scene.
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