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Swans’ previous album, 2012’s ‘The Seer’ (Spotlight feature), was monumental, a behemoth of bleakness and self-flagellation, a meditation on the sublime from which these songs were directly born.

A harsher parent is hard to imagine, but while its progeny hasn’t fallen far from the tree, ‘To Be Kind’ is altogether more colourful, an expansive record – fleshier, bloodier and lusciously psychedelic.

Where ‘The Seer’ gazed deep into the void, this sets its sights on the stars. It’s ‘kosmische… read more

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