Yann Tiersen
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Yann Tiersen – The Trial
Biography
Brest, Brittany, France (1995 – present)
Yann Tiersen (born June 23, 1970 in Brest, Brittany, France) has been honing his musical aesthetic since he could stand on two legs. He started learning piano at the age of four, taking up violin at the age of six and receiving classical training at musical academies in Rennes, Nantes and Boulogne. Then, at the age of 13, he chose to alter his destiny, breaking his violin into pieces, buying a guitar and forming a rock band.
Yann Tiersen has collaborated with vocal artists like Claire Pichet (“Le Phare” and “Rue Des Cascades”), Elizabeth Fraser (“Les Retrouvailles”) and Shannon Wright (“Yann Tiersen and Shannon Wright”). Other musicians he has worked with include The Divine Comedy, Noir Désir, dominique A., Francoiz Breut, Les Têtes Raides, The Married Monk and Sage Francis
Tiersen got a musical education from the city of Rennes’ annual Transmusicales festival, seeing acts like Nirvana, Einstürzende Neubaten, Nick Cave and The Bad Seeds, The Cramps, Television and Suicide. When his band broke up a few years later, instead of hunting for some new musicians, he bought a cheap mixing desk, an eight-track reel, and started recording music solo with a synth, sampler and drum machine, poring over the grooves of old records on the hunt for loops and orchestral strings to plunder.
Yann Tiersen has collaborated with vocal artists like Claire Pichet (“Le Phare” and “Rue Des Cascades”), Elizabeth Fraser (“Les Retrouvailles”) and Shannon Wright (“Yann Tiersen and Shannon Wright”). Other musicians he has worked with include The Divine Comedy, Noir Désir, dominique A., Francoiz Breut, Les Têtes Raides, The Married Monk and Sage Francis
Tiersen got a musical education from the city of Rennes’ annual Transmusicales festival, seeing acts like Nirvana, Einstürzende Neubaten, Nick Cave and The Bad Seeds, The Cramps, Television and Suicide. When his band broke up a few years later, instead of hunting for some new musicians, he bought a cheap mixing desk, an eight-track reel, and started recording music solo with a synth, sampler and drum machine, poring over the grooves of old records on the hunt for loops and orchestral strings to plunder.
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