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David Kennedy’s work as Ramadanman and Pearson Sound has always had a particular slant and a percussively textured style all of his own that’s often layered with thick and potent bass frequencies and synth washes - but it seems like with recent material like ‘Work Them’ (released on Loefah’s Swamp81 imprint) Kennedy is simply toying with the world’s expectations of him.

As a key component behind some of the most daring dancefloor music, both as a producer and as a label owner – Kennedy co-runs the Hessle Audio imprint, alongside Pangaea and Ben UFO - he’s travelled the world numerous times over releasing music by key producers like Joe, Elgato and James Blake as he’s done it. Scoring his label a well respected residency at London club, fabric and more recently, starting his own vinyl only night called Acetate in Leeds, his knack for working over a dancefloor shows no sign of waning. Finding the perfect space between bass bin and monitor he’s constantly innovating, refusing to sit still and feeding off all kinds of temperate influences – from old house to Chicago music - the end of 2010 and into 2011 sees him hoarding an array of productions that are absolutely battering soundsystems, radio shows and eardrums alike.


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  • thecrook15

    self-titled EP ... Sheer genius

    11 Jun 2013 Reply
  • Merowinger110

    Chillout? WTF?!

    13 Sep 2012 Reply
  • matav

    Fabriclive #56 got me here :)

    25 Mar 2012 Reply
  • el_papa_pampa

    "fabriclive56 is ridiculous!" lolwut

    7 Dec 2011 Reply
  • lonely_owl

    <3 <3 <3

    28 Aug 2011 Reply
  • thecrook15


    24 Aug 2011 Reply
  • muniralive

    Ramadan kareem

    12 Aug 2011 Reply
  • hunnybunny21

    boner worthy

    3 Aug 2011 Reply
  • chichoeq

    What if a giant lizard eats everyone alive?? [3]

    28 Jul 2011 Reply
  • avantlesbian

    hare krishna

    26 Jun 2011 Reply
  • amerieee

    go fuckers:

    14 Jun 2011 Reply
  • piginaspacesuit

    ...but I can only do that because I have enough money to now. I used to pirate everything because otherwise I would not have had very much access to all the music I love.

    4 Jun 2011 Reply
  • piginaspacesuit

    personally, I always download albums first, keep them a few weeks to decide if they have any longevity, and then buy the music or delete it.

    4 Jun 2011 Reply
  • echoghost

    @Scarper1 have you never let a friend borrow a book? Should the artist get money every time you let someone borrow a book, or let them borrow a DVD - or even show a DVD to someone who didn't pay for the DVD? What about buying clothes second-hand, or giving a shirt to a friend? All of these options prevent the original artist from getting any money back, so why is copying an mp3 so heinous to you? We all support Ramadanman in shows. Most of the people who pirate are the people who don't have the money to buy his music anyway (I buy his music, but I support piracy).

    24 May 2011 Reply
  • SietseB

    Humber is such a perfect track :) love it!

    9 May 2011 Reply
  • el_papa_pampa

    What if a giant lizard eats everyone alive?? [2]

    5 May 2011 Reply
  • asaris15

    The Woon is nice!

    3 May 2011 Reply
  • LeArtFag

    Coachella set was amazin!

    25 Apr 2011 Reply
  • Larvi

    What if a giant lizard eats everyone alive??

    5 Apr 2011 Reply
  • Scarper1

    Look guys, stop trying to justify it. It's stealing music, simple as that. Money, time, effort & work goes into the production of music products, then you people take it for free. Why should music be any different from any other product? Literature, magazines, Art, electronic goods, property, clothes, food. Do you steal all of them? What if people don't go to the shows??

    4 Apr 2011 Reply
  • All 140 shouts

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