Digital Mystikz
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South London
Digital Mystikz are dubstep producers from South London and, with Loefah, own the label DMZ and promote their own event of the same name. This takes place at the Mass in Brixton once every two months.
Digital Mystikz are Mark Lawrence and D. Harris, also known as Mala and Coki. Although Loefah also releases on the label and performs back to back DJ sets with Mala of Digital Mystikz, he is not part of the group.
After several years of releasing only single 12”s on various labels including DMZ, and Soul Jazz, their first LP titled “Return II Space” was released in June 2010 and featured productions only by Mala. Their second LP, “Urban Ethics”, featuring Coki productions was announced shortly after and released in December 2010.
DMZ has been described as one of dubstep’s two “most influential regular clubnight” and “central to the scene.” Since starting in March 2005, the club’s attendance has increased steadily. DMZ’s first anniversary, when a queue of 600 people forced the club to move from its regular 400-capacity space to Mass’ main room, has been cited as a pivotal moment in dubstep’s history. BBC Radio 1 DJ Mary Anne Hobbs, whose support of dubstep has increased the music’s popularity, discovered it at DMZ. The club is known for the power of its bass, always an important element in dubstep; fliers carry the slogan “come meditate on bass weight.”
Digital Mystikz are Mark Lawrence and D. Harris, also known as Mala and Coki. Although Loefah also releases on the label and performs back to back DJ sets with Mala of Digital Mystikz, he is not part of the group.
After several years of releasing only single 12”s on various labels including DMZ, and Soul Jazz, their first LP titled “Return II Space” was released in June 2010 and featured productions only by Mala. Their second LP, “Urban Ethics”, featuring Coki productions was announced shortly after and released in December 2010.
DMZ has been described as one of dubstep’s two “most influential regular clubnight” and “central to the scene.” Since starting in March 2005, the club’s attendance has increased steadily. DMZ’s first anniversary, when a queue of 600 people forced the club to move from its regular 400-capacity space to Mass’ main room, has been cited as a pivotal moment in dubstep’s history. BBC Radio 1 DJ Mary Anne Hobbs, whose support of dubstep has increased the music’s popularity, discovered it at DMZ. The club is known for the power of its bass, always an important element in dubstep; fliers carry the slogan “come meditate on bass weight.”
Shouts:
144 shouts
Top Albums
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DMZ02 EP
Digital Mystikz
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The Roots of Dubstep
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Neverland + Stuck
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Shoutbox
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Scratchtheatom wrote:
Marduk/Enter Dimensions is the shit.
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XelNagaDoom wrote:
Fuck clubstep. DMZ for life.
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cometbus wrote:
This is the shit. Nod your head to the dub. Hah, some people are like I don't get this....wtf feel the bass. Fuck the mid rand garbage this slays!!
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CastitusLilium wrote:
LIKING SKRILLEX DOES NOT MAKE YOU A BAD PERSON
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Arderocker wrote:
Are you really talking about Skrillex in this page? Digital Mystikz deserve better.
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distantlights91 wrote:
I'd much rather hear DMZ tunes in a club than Skrillex tbh
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kalior wrote:
DMZ is dubstep, Skrillex is clubstep. Can't we all just get along?
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mast3rjke wrote:
♥ (^ - ^) ♥
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Theartofstu wrote:
I like the way they have become the first line of defense for "old" dubstep vs "new" dubstep in intarwebz fights
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cometbus wrote:
dub that makes you nod your fucking head.
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BringMeTheMango wrote:
http://www.facebook.com/pages/Dubstep-Polska/288859417809466 Fell free to like our page
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CBA0 wrote:
fuck skillrex this is some proper dubstep not that chainsaw bullshit everyones on about
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thisisall1word wrote:
I've always considered myself pretty close minded about most things, but music more than everything. But I do like Skrillex. I am in a pickle.
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Jurrecane wrote:
Actually, I don't like Skrillex because I actually don't like the music. Some of my friends are into it so I have heard it enough to form an opinion. Saying that EVERYONE who doesn't like Skrillex is close-minded is kinda close-minded in it's own right. [2]
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otsukaretimu wrote:
Robot Koch.
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panna_fryta wrote:
22.10. Digital Mystikz + Robot Koch + Dom & Roland @ My Head Is Dubby, Wrocław, Poland!
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Astrolatry7 wrote:
Actually, I don't like Skrillex because I actually don't like the music. Some of my friends are into it so I have heard it enough to form an opinion. Saying that EVERYONE who doesn't like Skrillex is close-minded is kinda close-minded in it's own right.
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chilichow wrote:
lol @ distantlights
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Jones111 wrote:
@Foln you try way to hard at trolling...
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Dominikov18 wrote:
legends.
Videos
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Events
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Feb
10
Give It Dub
Doornroosje, Nijmegen, Netherlands
8 going
1 shout
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Mar
7
5 Days Off 2012
5 Days Off Festival, Amsterdam, Netherlands
87 going
4 shouts
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Mar
11
5 Days Off 2012 - Day 5
Melkweg, Amsterdam, Netherlands
4 going
Listening Now
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Rudki
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_Piteer_
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BlackPaleskin
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Recent Activity
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kowbog, fteussh, declanfinn123 and 3 other people added Digital Mystikz to their libraries. 4 minutes ago
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A deleted user tagged Digital Mystikz with electronic, grime and dubstep. yesterday morning
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peatcakes and juankitron-kun added Digital Mystikz to their libraries. Wednesday evening
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Kluisteraar wrote about Digital Mystikz in Digital Mystikz - Marduk/Enter Dimensions. Wednesday evening
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caspa1125, Nico-TripHop, vaibhavmalh0tra and 14 other people added Digital Mystikz to their libraries. Wednesday evening
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galblustar tagged Digital Mystikz with bass, electronic and dubstep. Saturday morning
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galblustar added Digital Mystikz to galblustar’s library. Saturday morning
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tourneur added Digital Mystikz to the lineup of 5 Days Off 2012 - Day 5 at Melkweg. last week
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sam98597, xsinkingsunx19, Flyflie and 4 other people added Digital Mystikz to their libraries. last week
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sxzx tagged Digital Mystikz with grime, dubstep and electronic. last week
Related Journals
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Digital Mystikz - Marduk/Enter Dimensions
by Kluisteraar |
8 Feb 2012
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Dandelion Radio - December 2011 shows
by DandelionRadio |
1 Dec 2011
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James Blake @ 恵比寿 Liquidroom Oct 12 2011
by emicom |
12 Oct 2011
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