Kusari Gama Kill
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Kusari Gama Kill – Winters In Osaka
Biography
Noisecore/noisegrind from Copenhagen. Electronic duo making short and noisy tracks. Inspiration is noisecore, grindcore, japanoise, goregrind and fun.
Kusari Gama Kill was born in april 2006 as the deformed brain child of Martin Weile and Janus Blomfroe. The idea was to make harsh noise with blast beats and death metal/grindcore/punk vocals.
Martin handles the synths (free vst’s mainly) and does the graphics. Janus takes care of drum machine abuse and vocals.
“Kusari Gama Kill are one of the cooler noisecore bands on the RONF label, playing a ferocious style of synthetic grind that uses blasts of raging noise along the lines of Merzbow, Masonna, or Incapacitants, deep, heavily processed death metal vocals mutated by tons of FX and pitch shifting, evil robot chanting and vocoder abuse, harsh electronic textures and bizarre samples, and over-the-top drum machine programming that drills through your skull at 800 bpm. The lack of guitars or bass sets this apart from alot of other digital-grinders and makes these short, twenty second spasms sound totally alien and inorganic; this is severely fucked extreme music that makes me think of old noisecore stuff like Sore Throat or Fear Of God being hurtled through the trippy spaceship noise chaos of K.K. Null’s solo electronics and the chopped-up, spastic electronica of Venetian Snares.”
From Crucial Blast review of Dead Animal Noise Party
Kusari Gama Kill was born in april 2006 as the deformed brain child of Martin Weile and Janus Blomfroe. The idea was to make harsh noise with blast beats and death metal/grindcore/punk vocals.
Martin handles the synths (free vst’s mainly) and does the graphics. Janus takes care of drum machine abuse and vocals.
“Kusari Gama Kill are one of the cooler noisecore bands on the RONF label, playing a ferocious style of synthetic grind that uses blasts of raging noise along the lines of Merzbow, Masonna, or Incapacitants, deep, heavily processed death metal vocals mutated by tons of FX and pitch shifting, evil robot chanting and vocoder abuse, harsh electronic textures and bizarre samples, and over-the-top drum machine programming that drills through your skull at 800 bpm. The lack of guitars or bass sets this apart from alot of other digital-grinders and makes these short, twenty second spasms sound totally alien and inorganic; this is severely fucked extreme music that makes me think of old noisecore stuff like Sore Throat or Fear Of God being hurtled through the trippy spaceship noise chaos of K.K. Null’s solo electronics and the chopped-up, spastic electronica of Venetian Snares.”
From Crucial Blast review of Dead Animal Noise Party
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