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Ernesto Tomasini


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Amazing Tomasini (The Guardian). The famous castrato-style performer whose high falsetto can plummet to deep baritone with startling effect (The Evening Standard). The most exciting and flamboyant personality to shake up the opera world since Klaus Nomi (Frontiers Magazine). The modern day Farinelli (Il Corriere della Sera). A remarkable voice (The Financial Times). Singer of cult status (The British Theatre Guide). An outstanding voice, an imposing presence (The Sunday Times). Flamboyant and wonderful (The Guardian). An amply characterful voice, a banshee falsetto (The Independent). A star! ( An impressive, reverberating range. His vocal cavortings bring to mind the operatic qualities of the castrati (The Scotsman). Such a charismatic, emotional performer. An extraordinarily powerful voice. When he sings high, the visceral, otherworldly sound is as close as a modern singer can get to the sound of the male sopranos. Surreal (What’s On). Cult diva (The Face). Hypnotically watchable. Possessor of a remarkable voice (The Times). He makes quite an impression for he oozes personality and demonstrates an impressive vocal range (The Stage). Prominent figure in the avant-garde circuits with a sexy voice that reproduces the essence of eunuch singers (La Repubblica). His voice is phenomenal and very beautiful. As a rock critic, I’ve heard many rock singers sing falsetto, but none with the kind of ease and breadth of range that Ernesto possesses (Valerie Potter - Q).

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