Garlands
- Label
-
4ad Records UK
- Release date
- 11 May 1999
- Running length
- 13 tracks
- Running time
- 54:35
Tags
Tracklist
| Track | Duration | Listeners | ||||
| 1 | Blood Bitch | 4:33 | 31,568 | |||
| 2 | Wax and Wane | 4:03 | 41,017 | |||
| 3 | But I'm Not | 2:42 | 24,770 | |||
| 4 | Blind Dumb Deaf | 3:54 | 39,305 | |||
| 5 | Shallow Then Halo | 5:14 | 26,254 | |||
| 6 | The Hollow Men | 5:03 | 22,885 | |||
| 7 | Garlands | 4:30 | 29,628 | |||
| 8 | Grail Overfloweth | 5:20 | 22,328 | |||
| 9 | Dear Heart | 3:36 | 15,876 | |||
| 10 | Hearsay Please | 4:25 | 15,270 | |||
| 11 | Hazel | 4:23 | 23,476 | |||
| 13 | Speak No Evil | 3:55 | 10,732 | |||
| 14 | Perhaps Some Other Aeon | 2:57 | 10,764 |
About this album
Garlands is the 1982 debut album of Cocteau Twins. It is the only album with original bassist Will Heggie and his chugging basslines give the album a distinctive sound. Robin Guthrie, by his own admission, had no idea how a studio worked at the time, but was confident enough in his burgeoning ability to get involved in the production, along with label owner Ivo Watts-Russell. The result is an album, and a guitar sound, with a strangled, constricted range and a dark ambience.
In the post-punk world of the early 1980s the influence of Siouxsie and the Banshees and other proto-goths is clear, but the beginning of the trademark ethereal Twins sound is also here, especially in Elizabeth Fraser’s curious and indecipherable vocals.
The songs are simple, repetitive and haunting, with guitar, vocals, bass and the lo-fi drum machine usually entering separately and building to a climax, as on “Grail Overfloweth”. Other songs, notably “Wax and Wane” and “Blind Dumb Deaf”, are built around a simple repetitive guitar refrain that is almost Robert Fripp-like in its minimalism.
The album made a huge impression at the time with its distinctive sound, a still embryonic sound which the band would continue to develop over the succeeding albums and other releases. Garlands ended the year as one of the best-selling ‘indy’ albums, helped by the fact that band was championed by BBC Radio 1 DJ John Peel. With the nurturing of label boss Ivo Watts-Russell, who also co-produced the album, and the band’s participation in the successful first This Mortal Coil album, the Cocteau Twins soon became the iconic 4AD band.
The songs are simple, repetitive and haunting, with guitar, vocals, bass and the lo-fi drum machine usually entering separately and building to a climax, as on “Grail Overfloweth”. Other songs, notably “Wax and Wane” and “Blind Dumb Deaf”, are built around a simple repetitive guitar refrain that is almost Robert Fripp-like in its minimalism.
The album made a huge impression at the time with its distinctive sound, a still embryonic sound which the band would continue to develop over the succeeding albums and other releases. Garlands ended the year as one of the best-selling ‘indy’ albums, helped by the fact that band was championed by BBC Radio 1 DJ John Peel. With the nurturing of label boss Ivo Watts-Russell, who also co-produced the album, and the band’s participation in the successful first This Mortal Coil album, the Cocteau Twins soon became the iconic 4AD band.
Explore more
Listen to, buy or share
Buy
-
700,993
scrobbles
-
43,517 listeners
Cocteau Twins








