A Storm of Light
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A Storm of Light – Leave No Wounds
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Biography
Brooklyn, New York, United States (2007 – present)
A Storm of Light is a band from Brooklyn, New York, United States which is sometimes referred to as post-metal. Critic Leech has described them as “doom metal / post-rock”. A Storm of Light, was started in 2007 by Josh Graham, who has been a longtime visual collaborator of the band Neurosis. Josh left the group Red Sparowes, of which he was a founding member to focus on Storm.
The end of times is a concept that’s been with mankind since he first began daubing blood and ash on cave walls, and now Brooklyn’s heaviest of hitters A Storm of Light are picking up the baton with their latest masterpiece, “Forgive Us Our Trespasses.”
The band have already proven themselves master storytellers, their acclaimed 2008 debut “And We Wept the Black Ocean Within” sending shockwaves through the avant metal underground with its bracken-draped tales of seafaring woe and this year’s “Primitive North” collaboration with Nadja cementing their status as leading lights in the ever-shifting realms of metal’s experimental fringes.
“Forgive Us Our Trespasses” showcases a more refined sound and a significant broadening of scope, the band leading the listener on a millennial journey that sees the modest curls of smoke rising from nomadic campsites gradually replaced by the billowing smokestacks of industry before being cast down and consigned to the soil once more as the planet rouses from its aeon-long slumber.
“All you really have to do is look around you to see where things are headed,” muses guitarist, vocalist and in-house artist Josh Graham, “the album basically charts humankind’s journey toward oblivion as the planet awakens and tips the scales back in its own favour. Needless to say, the outlook for humanity in all of this isn’t exactly too bright.”
The end of times is a concept that’s been with mankind since he first began daubing blood and ash on cave walls, and now Brooklyn’s heaviest of hitters A Storm of Light are picking up the baton with their latest masterpiece, “Forgive Us Our Trespasses.”
The band have already proven themselves master storytellers, their acclaimed 2008 debut “And We Wept the Black Ocean Within” sending shockwaves through the avant metal underground with its bracken-draped tales of seafaring woe and this year’s “Primitive North” collaboration with Nadja cementing their status as leading lights in the ever-shifting realms of metal’s experimental fringes.
“Forgive Us Our Trespasses” showcases a more refined sound and a significant broadening of scope, the band leading the listener on a millennial journey that sees the modest curls of smoke rising from nomadic campsites gradually replaced by the billowing smokestacks of industry before being cast down and consigned to the soil once more as the planet rouses from its aeon-long slumber.
“All you really have to do is look around you to see where things are headed,” muses guitarist, vocalist and in-house artist Josh Graham, “the album basically charts humankind’s journey toward oblivion as the planet awakens and tips the scales back in its own favour. Needless to say, the outlook for humanity in all of this isn’t exactly too bright.”
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Black Wolves
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