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Kenny Wayne Shepherd(肯尼.韦尼.谢非尔德)—一个技巧型的年轻布鲁斯吉他演奏家,人们对他的评价甚至接近对传奇人物Stevie Ray Vaughan的赞誉。
肯尼·Wayne牧人
路易斯安那-在蓝色上出生的肯尼·Wayne牧人长大了。 在他的手里从7岁他有了一把吉他并且在它坚持了直到5年以后他在阶段上与跳街5蓝色团体吉他手布赖恩·李。 在17点, 肯尼生产了他的第一个相册, Ledbetter高度, 在号码点那容纳了1点在上告示板’有赚一次黄金鉴定的5月的时间的s图表。 相册课程是热并且热情的, 反省对岩石的爱‘n’ 为芝加哥,得克萨斯和三角洲蓝色的转动和他的深欣赏。
炽烧到在20世纪90年代期间的图表之上, 与他充满迟了的伟大的Stevie光线Vaughan的靴子的一些谈话肯尼被认为一个年轻的奇迹。 牧人将足够快赚4没有。 1蓝色相册点和一系列蓝色岩石撞击单人赛。 他集合了起来一些告示板 音乐奖并且为他的贡献在1998和2001以后被吉布森认可到音乐吉他公司当他被送时贵重的Orville H。 为最好的蓝色吉他手的吉布森吉他奖。
牧人’s秒相册, 麻烦是 (1997), 与有力量的蓝色的一些稳固的课程显示出了更多的成年包括“蓝色在上布莱克,” “变慢旅行” 并且“某种程度, Somwhere, 以某种方式” 所有追踪了#1场收音机单人赛。 “蓝色在上布莱克” 被评价当1998的最高的岩石歌由告示板, 相册网络和摇摆舞, 并且打击继续今天在千瓦时下载的顶。 相册成为了告示板’一年的s蓝色相册(1999) 并且它的冠军磁道积累了格莱美奖为最好的岩石的任命器械的性能。
象一颗流星一样, 牧人’s职业似乎了过一会儿失去牵引, 但是仅仅足够长为他作为一位艺术家收集更多的经验和力量。 多年以来, 他’s旅行了或与Aerosmith分享了阶段, 鲍勃·迪伦, 鹰, 滚动的石头, 凡·Halen, B.B。 国王, Les·保罗, 彼得·Frampton, 托米·伊曼纽尔, 史蒂夫·米勒, 史蒂夫·Lukather, 德里克卡车和Herbie·汉考克。
今天, 作为主要的力量在蓝色音乐肯尼·Wayne牧人被认出。 他的对蓝色传统和蓝色吉他手的爱提示了他与同事的蓝色男人一起安排成功的旅行例如休伯德·Sumlin, 布迪·盖伊, 并且Pinetop·珀金斯。 牧人也工作了他的在发现的乡村附近的方法“真实的买卖” 蓝色播放器, 导致新的数字激光视盘打电话了10天外面- 蓝色从回来道路.
马丁吉他公司发出了它的肯尼·Wayne牧人有限的版本签名模特儿JC-16KWS, 一个不同的巨大的模型在暗蓝色尊敬他的1998打击“蓝色在上布莱克”。 我们也期待一新的肯尼·Wayne牧人签名Stratocaster滚出的快保卫。

by Rick Landers.
Kenny Wayne Shepherd. Photo by Robert M. Knight.
Louisiana-born Kenny Wayne Shepherd grew up on the blues. From the age of seven he had a guitar in his hands and kept at it until five years later he was on stage with Jump Street Five blues group guitarist Bryan Lee. At 17, Kenny produced his first album, Ledbetter Heights, that sat at the Number 1 spot on Billboard’s chart for five months earning a Gold Certification. The album tracks were both hot and soulful, reflecting a love of rock ‘n’ roll and his deep appreciation for Chicago,Texas and Delta blues.
Blazing onto the charts during the 1990s, Kenny was considered a young prodigy with some talk of his filling the boots of the late great Stevie Ray Vaughan. Shepherd would soon enough earn four No. 1 blues album spots and a series of blues-rock hit singles. He gathered up a couple of Billboard Music Awards and later was recognized for his contributions to music in 1998 and 2001 by the Gibson Guitar Corporation when he was presented the prestigious Orville H. Gibson Guitar Award for Best Blues Guitarist.

Shepherd’s second album, Trouble Is (1997), showed more maturity with some solid tracks of punchy blues including “Blue on Black,” “Slow Ride” and "Somehow, Somwhere, Someway” that all tracked to #1 radio singles. “Blue on Black” was ranked as the top rock song of 1998 by Billboard, the Album Network and R&R, and the hit continues to be at the top of KWS downloads today. The album became Billboard’s Blues Album of the Year (1999) and the its title track garnered a Grammy nomination for Best Rock Instrumental Performance.

Like a shooting star, Shepherd’s career seemed to lose traction for a while, but only long enough for him to gather more experience and strength as an artist. Over the years, he’s toured or shared the stage with Aerosmith, Bob Dylan, the Eagles, the Rolling Stones, Van Halen, B.B. King, Les Paul, Peter Frampton, Tommy Emmanuel, Steve Miller, Steve Lukather, Derek Trucks and Herbie Hancock.

Today, Kenny Wayne Shepherd is recognized as a major force in blues music. His love of the blues tradition and blues guitarists prompted him to arrange a successful tour with fellow blues men such as Hubert Sumlin, Buddy Guy, and Pinetop Perkins. Shepherd also worked his way around the country to find "real deal" blues players, resulting in a new DVD called 10 Days Out - Blues From The Back Roads.

Martin Guitar Company issued its Kenny Wayne Shepherd Limited Edition Signature model JC-16KWS, a distinct jumbo model in dark blue to honor his 1998 hit "Blue On Black." We also anticipate a new Kenny Wayne Shepherd Signature Stratocaster to roll out of Fender soon.

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