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Basil_Rebelwind
Just a reminder, right here you can talk about the fleeting and the eternal. Share your thoughts on life and your fears. Reflect on the passing of your pets, or simply joke around or naively try to spread your ego. This is the ark of your fears, dreams, and desires.
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Basil_Rebelwind
In a world consumed by hyperconsumerism, where do we find true meaning? Are our desires truly our own, or are they sculpted by the relentless march of cultural hegemony and the fetishization of commodities? Baudrillard’s Simulacra and Simulation offers a chilling lens through which to view our consumption-driven society. When we indulge in the luxuries of our socio-economic constructs, are we not merely participants in a grand simulation designed to pacify our insatiable needs? As I ponder the anthropic principle from Barrow and Tipler’s The Anthropic Cosmological Principle and the many-worlds interpretation from Hugh Everett’s theory, is it possible that our reality is just one of countless possible universes, each defined by its own set of existential parameters?
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Basil_Rebelwind
In the quiet moments of introspection, guided by the teachings of Derrida in Of Grammatology and Baudrillard in The Consumer Society, do we ever truly grasp the essence of our existence? Or are we forever trapped in a cycle of reification, endlessly seeking meaning in the ephemeral and the transient? As we navigate this intricate web of structuralist and post-structuralist thought, can we ever hope to transcend the ontological surface and uncover the deeper truths that lie beneath? Or is our pursuit of knowledge itself an act of hubris, a futile attempt to impose order on an inherently chaotic universe, as explored by Žižek in The Sublime Object of Ideology? In the rhythmic cadence of lyrical expression, one finds a narrative that transcends mere auditory experience. It is within the syncopated beats and profound metaphors of hip-hop that we encounter a dialectic process, a dynamic interplay of culture and identity that resonates with those attuned to its deeper semiotic layers.
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Basil_Rebelwind
As we delve into the works of Marx and Engels, pondering the dialectical materialism and the historical inevitability of class struggles, do we see the seeds of contemporary discontent? Or is Fukuyama’s notion of the "end of history" in The End of History and the Last Man a premature declaration of ideological triumph? In the quiet moments of contemplation, can we draw parallels between the fall of the Byzantine Empire and the current geopolitical shifts that threaten to reshape our world? Are we, like the ancients, merely spectators to the grand theatre of history, or active participants in the unfolding narrative?
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Basil_Rebelwind
The answer lies in recognizing our role as both products and producers within this socio-economic matrix. We stand on the shoulders of historical giants, yet the shadows they cast still dictate much of our behavior. Unlike previous eras, we possess unprecedented access to information and technology, granting us a unique position to alter the course of our trajectory. We are not merely passive observers but active participants in shaping history. We must strive for a balance where intellectual growth is matched by moral responsibility, echoing the ideals of the revolutionaries of 1848. With the advent of global communication networks, there is potential for a more egalitarian society. The fall of the Byzantine Empire serves as a reminder of the fragility of even the most fortified entities, urging us to adopt a more flexible and adaptive approach to governance.
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Basil_Rebelwind
It is evident that the challenges we face are cyclical, yet our solutions need not be. By learning from the past, we can innovate and forge a path that breaks free from historical constraints. Our pursuit of knowledge, while seemingly hubristic, is actually an essential element of our evolution, propelling us toward a more enlightened state of existence. In sum, we are not bound by the lessons of history but are empowered by them. By understanding the intricate patterns that have shaped human progress, we can navigate the complexities of the modern world with greater insight and purpose. In this new phase of reality, it is our collective duty to transcend the superficial and strive for a deeper, more meaningful existence.
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Nox-Eternus
Curious to know how your listening time is 12 days, 1 hour in 1 week (7 days) , maybe small dick syndrome?
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Basil_Rebelwind
Your curiosity brings to mind Zeno’s paradoxes, where reality seems counterintuitive, and time appears to bend under the weight of infinity. Just as Achilles can never catch the tortoise if we adhere to strict logic, so too can the perception of time in music be subjective and elastic. Perhaps my ‘scrobbles’ are merely a reflection of my inner world, where time does not flow along a linear trajectory but rather as a whirlwind of emotions and experiences that do not always lend themselves to quantitative measurement. As Heraclitus would say, ‘everything flows,’ and our perception of time is no exception.
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cyrensong_
You can import scrobbles and therefore manufacture scrobbles. Thats most likely what he did. That wall of text noneness was probably generated as well lol. You can also see he barely had any scrobbles in the 2010s. I wouldn't be surprised if he acquired this account for the join date as well.
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Basil_Rebelwind
Thanks for calling our hotline. Your invaluable opinion and truly unique life experience mean the world to us. Please keep inviting all your equally brilliant friends and family.
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Mobee_Mondegrin
Поздравляю с прошедшим первым миллионом 💥🙏 Большой респект, уважение и пример для аудитории ластфм ❤️🤝
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Basil_Rebelwind
Благодарю. К сожалению, единственной жизни все равно недостаточно, чтобы охватить всё многообразие музыкальных произведений, которые подходят по духу.
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ChrisRomm
How come oldheads still act like postmodernism isn’t dead and gone and you have to pick a side? In the age of metamodernism, it’s totally cool to be into Hitler, but not be a nazi, a racist or any other pokemon from the last century. Hitler is just a logo or a brand name now, like Coca-Cola, Nike or whatever
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Basil_Rebelwind
The only thing I would change now is to remove Nike and Cola from here, after all hitler as a brand is much harder to monetize on such a global level. Many oldheads still have a strong trigger from his name and image, which can cause hysteria, moralizing fits and other inappropriate reactions.
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molochthagod
Hey, could you please upvote? https://www.last.fm/music/Trim/+images/e0b2d3d2475df1a546ba3e2545a0f01e
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Basil_Rebelwind
Sure, no problem. I’m very familiar with this, there are many pages on the site that haven’t been updated for 10 years or more. I have enough friends who can help with this, I’ll write to them in private.
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Basil_Rebelwind
I disagree with this compatibility score. I think the algorithm on last.fm is biased because I don’t listen to old-school classics constantly. Compatibility seems higher for me.
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Basil_Rebelwind
Привет! Музыкальный год был весьма насыщенный, но прям большой мейнстрим в этот раз как-то не очень. /// Для меня альбом года однозначно Larry June - The Great Escape. Шикарный саундтрек солнечного SF с размеренным ностальгическим вайбом 80-х и 90-х. Рекомендую попробовать если вдруг не доводилось. /// Лучший экспериментальный альбом pink siifu - IT'S TOO QUIET..'!! Этот чувак сейчас однозначно лепит самые оригинальные мультижанровые коллажи. Среди экспериментального от девчулек, выделил бы Sudan Archives - Natural Brown Prom Queen. Лучший летний "курортный" альбом KAYTRAMINÉ. /// А вообще было ещё очень много всего интересного, но тогда коммент превратится в целую книгу, и так уже получился целый рассказ
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Basil_Rebelwind
Чистых рэперов я не стал особо упоминать, потому что слушал большую часть этого года чуваков, которые не очень заинтересованы в разнообразном звучании. Злые языки даже могли бы вполне справедливо заявить, что такие ребята просто делают на каждом релизе один и тот же длинный трек. Но мне по кайфу, постоянство - признак мастерства. А еще вспомнил про недавний делюкс Alone At Prom от Tory Lanez. Годнота, отличная ретроспектива на 80-е, есть даже трек, где он очень убедительно имитирует Майкла Джесона.
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samanthasmusic2
11k Gucci Mane scrobbles making me wanna listen to his discography. Your library diverse asf!!
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moonlightfocus
DO NOT give your personal information to egyptpower or Treevis19. They are internet hackers.
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Basil_Rebelwind
Во первых оставь такую лексику для общения с сородичами, тут тебе не какой-то говнарьский притон. Во вторых определись с спецификой и предметом вопроса. Для троллинга это слишком безлично, для призыва на диспут слишком быдловски
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Mobee_Mondegrin
Послушай сентябрьский альбом Джеймса Блейка. Знаю, наверное сейчас это немного не твой формат, но ты заскоблил его альбом 16-го года больше ста раз, надеюсь новый тебе понравится больше. По крайней мере меня зацепило, поэтому очень хочется поделиться.... Прости если что
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Basil_Rebelwind
Спасибо за рекомендацию! Творчество Блейка действительно немного не моё, он нравится больше как соавтор, но всегда рад прислушаться к любым советам и для полноты картины ознакомиться с любым из жанров. Альбом атмосферный, в первый раз слушал глубокой ночью, что усилило созерцательный настрой, как медитация. Не сильно разбираюсь в экспериментальной музыке, но по звучанию он вроде бы стал звучать более доступно широкой аудитории?
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