The term “Rustic Stomp” was allegedly coined by the band, The Tokyo Skunx, (often written “The Tok¥o $kunx,”) back in the early ‘90s, and seems to be characterized by mixing the more folk-style music instruments along with the typical rock instruments. In almost all of the bands that I have looked into, certain instruments are always present: electric guitar and a drum kit are invariably accompanied by a bass fiddle, (AKA “double bass”, “stand-up bass”, or according to many liner notes, the “wood bass,”) an accordion and a banjo. Various other assorted instruments are to be found as well, including tin whistle, trumpet, mandolin, saxophone, bouzouki, fiddle and/or bagpipes. It is a safe guess that it is the instrumentation falls under the “rustic” portion of the moniker, while the “stomp” is quite blatantly the music. Punk rock tempos and structures are mixed with elements of rockabilly, ska, cowpunk, bluegrass, country/western or seemingly any other passing influence, tossed into a giant blender, set for purée, and served at dizzying speeds. Some of the big names in the style, (aside from THE TOKYO SKUNX,) are DOG’GIE DOGG, THE CABALLERO POLKERS, and THE FUJIYAMA KINGS. (Bear in mind, that this is by no means a comprehensive list as my knowledge of these bands is quite limited.)

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