|
1
|
|
|
|
Stop 21: DRAWING RESTRAINT 1-6 and 10-13 (enhanced)
|
|
|
11 listeners
|
|
2
|
|
|
|
Stop 20: Introduction/DRAWING RESTRAINT 14 (enhanced)
|
|
|
11 listeners
|
|
3
|
|
|
|
Stop 24: Ambergris, DRAWING RESTRAINT 9 (enhanced)
|
|
|
7 listeners
|
|
4
|
|
|
|
Stop 23: DRAWING RESTRAINT 7 (enhanced)
|
|
|
6 listeners
|
|
5
|
|
|
|
Stop 27: Occidental Restraint, DRAWING RESTRAINT 9 (enhanced)
|
|
|
6 listeners
|
|
6
|
|
|
|
Stop 25: Holographic Entry Point, DRAWING RESTRAINT 9 (enhanced)
|
|
|
5 listeners
|
|
7
|
|
|
|
Stop 26: Deportment of the Host, DRAWING RESTRAINT 9 (enhanced)
|
|
|
5 listeners
|
|
8
|
|
|
|
Stop 28: Cetacea, DRAWING RESTRAINT 9 (enhanced)
|
|
|
5 listeners
|
|
9
|
|
|
|
Stop 29: DRAWING RESTRAINT 8 (enhanced)
|
|
|
4 listeners
|
|
10
|
|
|
|
Stop 21: DRAWING RESTRAINT 1-6 and 10-13 (no images)
|
|
|
4 listeners
|
|
11
|
|
|
|
Brice Marden Audio Tour > Stop 200 > Introduction [wall text] (enhanced)
|
|
|
4 listeners
|
|
12
|
|
|
|
Stop 25: Holographic Entry Point, DRAWING RESTRAINT 9 (no images)
|
|
|
3 listeners
|
|
13
|
|
|
|
Stop 22: Path and Hypertrophy (no images)
|
|
|
3 listeners
|
|
14
|
|
|
|
Stop 27: Occidental Restraint, DRAWING RESTRAINT 9 (no images)
|
|
|
3 listeners
|
|
15
|
|
|
|
Stop 22: Path and Hypertrophy (enhanced)
|
|
|
3 listeners
|
|
16
|
|
|
|
Matthew Barney Audio Tour> Stop 20: Introduction/DRAWING RESTRAINT 14 (enhanced)
|
|
|
3 listeners
|
|
17
|
|
|
|
Stop 20: Introduction/DRAWING RESTRAINT 14 (no images)
|
|
|
2 listeners
|
|
18
|
|
|
|
Stop 23: DRAWING RESTRAINT 7 (no images)
|
|
|
2 listeners
|
|
19
|
|
|
|
Stop 26: Deportment of the Host, DRAWING RESTRAINT 9 (no images)
|
|
|
2 listeners
|
|
20
|
|
|
|
Stop 28: Cetacea, DRAWING RESTRAINT 9 (no images)
|
|
|
2 listeners
|
|
21
|
|
|
|
Stop 24: Ambergris, DRAWING RESTRAINT 9 (no images)
|
|
|
2 listeners
|
|
22
|
|
|
|
Stop 207 > 4 (Bone), 1987-88 (enhanced)
|
|
|
2 listeners
|
|
23
|
|
|
|
Stop 201 > Nebraska, 1966 (enhanced)
|
|
|
2 listeners
|
|
24
|
|
|
|
Stop 2012 > How to Look at These Paintings (enhanced)
|
|
|
2 listeners
|
|
25
|
|
|
|
Stop 208 > Cold Mountain 6 (Bridge), 1989-91 (enhanced)
|
|
|
2 listeners
|
|
26
|
|
|
|
Matthew Barney Audio Tour> Stop 21: DRAWING RESTRAINT 1-6 and 10-13 (enhanced)
|
|
|
2 listeners
|
|
27
|
|
|
|
Matthew Barney Audio Tour> Stop 22: Path and Hypertrophy (enhanced)
|
|
|
2 listeners
|
|
28
|
|
|
|
Matthew Barney Audio Tour> Stop 23: DRAWING RESTRAINT 7 (enhanced)
|
|
|
2 listeners
|
|
29
|
|
|
|
Matthew Barney Audio Tour> Stop 24: Ambergris, DRAWING RESTRAINT 9 (enhanced)
|
|
|
2 listeners
|
|
30
|
|
|
|
Matthew Barney Audio Tour> Stop 25: Holographic Entry Point, DRAWING RESTRAINT 9 (enhanced)
|
|
|
2 listeners
|
|
31
|
|
|
|
Stop 223: Croisiere, 1931
|
|
|
1 listener
|
|
32
|
|
|
|
Stop 225: Untitled, 1945
|
|
|
1 listener
|
|
33
|
|
|
|
Stop 222: Constellation, ca. 1942
|
|
|
1 listener
|
|
34
|
|
|
|
Stop 224: Un effet du japonais, 1940
|
|
|
1 listener
|
|
35
|
|
|
|
Stop 217: Cone d'ebene, 1933
|
|
|
1 listener
|
|
36
|
|
|
|
Stop 99: Player Instructions
|
|
|
1 listener
|
|
37
|
|
|
|
Stop 29: DRAWING RESTRAINT 8 (no images)
|
|
|
1 listener
|
|
38
|
|
|
|
Stop 215: Cabinets of Curiosities
|
|
|
1 listener
|
|
39
|
|
|
|
Stop 216: Wooden Bowl with Hairs, 1943
|
|
|
1 listener
|
|
40
|
|
|
|
Stop 218: White Panel, 1936
|
|
|
1 listener
|
|
41
|
|
|
|
Stop 220: Devil Fish, 1937
|
|
|
1 listener
|
|
42
|
|
|
|
Stop 221: Untitled works on paper
|
|
|
1 listener
|
|
43
|
|
|
|
Stop 226: Eucalyptus, 1940
|
|
|
1 listener
|
|
44
|
|
|
|
Stop 2262: Conclusion
|
|
|
1 listener
|
|
45
|
|
|
|
Stop 211: Joan Miro, Peinture (La Magie de la couleur), 1930
|
|
|
1 listener
|
|
46
|
|
|
|
Stop 2002: Introduction/ Black Beast, 1940 (second level)
|
|
|
1 listener
|
|
47
|
|
|
|
Stop 202: Wit, Caricature, and Linear Flights of Fancy- Gallery Overview
|
|
|
1 listener
|
|
48
|
|
|
|
Stop 204: The Marvelous Personage- Gallery Overview
|
|
|
1 listener
|
|
49
|
|
|
|
Stop 205: Constellations and Apparent Views of Celestial Space- Gallery Overview
|
|
|
1 listener
|
|
50
|
|
|
|
Stop 213: Goldfish Bowl, 1929
|
|
|
1 listener
|
