Shouts
Want to share your thoughts about this album? Join Last.fm or log in to leave a shout.
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BruDamien
They obviously care about the environment and it shows throughout the themes in the songs. Although it was released 4 years ago, it feels very current and that's a quality that MM has over a lot of bands: they speak about universal issues or at least are ahead of their time in terms of approaching certain themes. Love it!
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damn_goodcoffee
I never disliked this album but never gave it the attention it deserved.... wow, so good! I saw them open for Brand New at MSG after this album was released and they definitely stole the show. Blew Brand New the hell out of the water.
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LastFlowers
Not their greatest but still some wonderful songs here - Ansel, Coyotes, Sugar Boats, Wicked Campaign, and The Ground Walks among them.
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ElroyGBiv23
I love this album. “Lampshades on Fire,” “The Ground Walks...” and “Tortoise and the Tourist” are among the best songs they’ve made.
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technobisto
I really don't understand the negativity surrounding this album. I thought it was pretty fucking good.
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ParnoidLizard
lol and Pistol is the most interesting song on the record for me i mean obviously. it's kinda rad
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Feli_
For the people getting cranky over Pistol, Isaac spoke some words on it in a German interview, just gonna translate it cause I don't know if he spoke about it in others. "[Pistol] is probably the only song on the record, which we just had loads of fun fucking around with, writing a song about a really dumb jerk. I really like the sound of it and we just had a good time writing it. The people out there like this song the least. Also, half of the band asked me not to put the song on the record. I knew that pistol would go on people's nerves and that's why I had to do it. The fact that most anyone hates the song is a reason for me to like it. It doesn't have the sound you'd expect on this record and that's why it's on it." http://www.intro.de/popmusik/das-internet-ist-ein-verdammt-gemeiner-ort-isaac-brock-von-modest-mouse-im-gesprach
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JohnnyTruant613
This album has grown on me immensely, with only a few listens here and there. Can honestly listen to it all the way through and not skip a song right now. And Pistol is a jam, you people are crazy.
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titchio
Naotas speaks the most sense in this whole shoutbox. Pistol is a character song - it's meant to sound the way it does - I really don't understand the hate either, when it's cranked up loud I think it's great. As a whole, the album is nowhere near their best, but being a MM fan I'm just happy for new material and I'm sure over time I will appreciate it even more for what it is in their catalogue.
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spanishwire
@DJtKK is right on the money. this album is not the best, but still pretty damn good, especially after a few listens. haters, clean my pistol!
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voredhelion
Modest Mouse finally returns from hiatus. Was it worth the wait? Read about Strangers to Ourselves http://wp.me/p2Xmrq-TW via @wordpressdotcom
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naotas_forehead
Okay whatever, Pistol sucks because it didn't make you didn't laugh and phallic symbols embarrass you blah blah blah opinions. I'm tired of defending this song.
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okBabby
MM have always made silly parody songs (shit luck, devil's workday etc) but at least those songs had musical merit, and while silly, you could still get into them. 'Pistol" is just some bizarre collection of ramblings about phallic symbols that actually made me embarrassed for Isaac. Like someone said, it sounds like a Kesha song
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Nihil227
This feels fake and artificial, they just tried too much. Whoever produced it is a 15 years old adding every effect he sees, thinking it will sound better. Even Isaac sounds boring. God is an Indian is propably the only song which feels like old modest mouse, and it only lasts one minute.
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naotas_forehead
What the hell is people's problem with Pistol? The drama around it is bizarre. It's purposefully weird and ugly sounding, yeah. It sounds like the mind of an extremely drunk dipshit asshole, but it's SUPPOSED to. That's the point.
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DTjNK
Certainly overproduced, but there's a lot to love on this album. If MM didn't lose you already with their last one being very pop-oriented, this new sound isn't too hard of a stylistic change to swallow, and I think it's actually better in many respects. I'm digging how their are actually more guitar-focused songs and it's less happy-sounding overall. Lyrically, Isaac also seems to be moving away from the personal almost completely and focusing more on the absurdity of the outside world/other people, which is pretty cool new territory when you take the time to decipher his point of view. Overall, the songs here may not all grab you as much as on past albums but it definitely grows on you and I'd say there's enough good, interesting content to dwell on and enjoy that it was definitely worth the wait. I will be enjoying this for some time to come and with all this experimentation I'm actually much more interested in their direction now than ever before. I'd give it a damn solid B!!!
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naotas_forehead
If MM are the Pacific NW indie-rock forefathers, Calvin Johnson is the granddaddy, and he needs to step in and smack some sense into these whippersnappers.
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aaronleclair
These songs could be interesting but the generic pop-radio production, all drum triggers and quantization, saps any and all life and dynamics out of them. Not to mention that so many (often disparate and conflicting) sounds are being crammed in such a small space. Some bands' songs (Broken Social Scene) make exciting music with this super-dense approach but what was so visceral about Modest Mouse in all their previous albums was how bare and personal the songs could get Go listen to the early Modest Mouse singles/LPs and just listen to all that negative space -- it's all gone here. The release as a whole has the kind of confusion & uncertainty I'd expect from a band that formed last year, under pressure to make their first album on a major label -- NOT from Pacific NW indie-rock forefathers who released their last album EIGHT years ago.
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beefigursk
Here's a review that's in English if that is your preferred language. http://staticdistance.com/2015/03/11/review-modest-mouse-strangers-to-ourselves/
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Violaine70
Upon first listen, I find that this may be a little over-produced (or under-produced depending on outlook), and more to the point: boring. This did not grab my attention at all. Everything sounded much the same, it came and went - but never stayed. I find this to be a weak effort for a band which has been known to show a certain dynamic even in their safe, pop-appeal efforts. Where is the tension in Brock's voice? Where is the finger-picking, electric melodies; the descent into noise?- the bittersweet sentiment of Blame it on the Tetons, Talking Shit About a Pretty Sunset, or Little Motel? All the things I look for in Modest Mouse seems to be missing. For the record, Modest Mouse is one of my favourite bands and has formed part of the core of my taste since I've had a music library. Ultimately my first impression lies in disappointment, but, perhaps further listens, and an official release, may just bring something out which I subconsciously skimmed over at first. Here's hoping..
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