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Antonio Zacchara da Teramo
7 listeners
Antonio "Zacara" da Teramo (in Latin Antonius Berardi Andree de Teramo, also Zacar, Zaccara, Zacharie, Zachara, and Çacharius; b.… read moreAntonio "Zacara" da Teramo (in Latin Antonius Berardi Andree de Teramo, also Zacar, Zaccara, Zacharie, Zachara, and Çacharius; b. probably between 1350 and 1360 – d. between May 19, 1413 and mid-September 1416) was an Italian c… read moreAntonio "Zacara" da Teramo (in Latin Antonius Berardi Andree de Teramo, also Zacar, Zaccara, Zacharie, Zachara, and Çacharius; b. probably between 1350 and 1360 – d. between May 19, 1413 and mid-September 1416) was an Italian composer, singer, and papal secretary of the late Trecento an… read more
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Johannes Tapissier
51 listeners
Johannes Tapissier (also Jean Tapissier, Jean de Noyers) (c. 1370 – 1408 to 1410) was a French composer and teacher of the late Middle Ages… read moreJohannes Tapissier (also Jean Tapissier, Jean de Noyers) (c. 1370 – 1408 to 1410) was a French composer and teacher of the late Middle Ages, in the period transitional to the Renaissance style. He was one of the first members of the Burg… read moreJohannes Tapissier (also Jean Tapissier, Jean de Noyers) (c. 1370 – 1408 to 1410) was a French composer and teacher of the late Middle Ages, in the period transitional to the Renaissance style. He was one of the first members of the Burgundian School, the group of composers associated with the Du… read more
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Manuscript Torino
4 listeners
The early fifteenth-century Torino Codex (Torino, Biblioteca Nazionale MS J.II.9), an anonymous source of music that remains one of the few… read moreThe early fifteenth-century Torino Codex (Torino, Biblioteca Nazionale MS J.II.9), an anonymous source of music that remains one of the few windows into Western music of that period. Although it is the largest musical source in the Frenc… read moreThe early fifteenth-century Torino Codex (Torino, Biblioteca Nazionale MS J.II.9), an anonymous source of music that remains one of the few windows into Western music of that period. Although it is the largest musical source in the French tradition between the Ars nova manuscripts of the fourteen… read more
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Codex Montpellier
26 listeners
The Montpellier Codex (Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, H196) is an important source of 13th century French… read moreThe Montpellier Codex (Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, H196) is an important source of 13th century French polyphony. The codex contains 336 polyphonic works probably composed ca. 1250-1300, and was likel… read moreThe Montpellier Codex (Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, H196) is an important source of 13th century French polyphony. The codex contains 336 polyphonic works probably composed ca. 1250-1300, and was likely compiled ca. 1300. It is believed to originate from Paris.… read more
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Antonello da Caserta
91 listeners
Antonello da Caserta, also Anthonello, Antonellus Marot, was an Italian composer of the medieval era, active in the late 14th and early 15t… read moreAntonello da Caserta, also Anthonello, Antonellus Marot, was an Italian composer of the medieval era, active in the late 14th and early 15th centuries. Essentially nothing is known of Antonello's life. Earlier in the 20th century, N… read moreAntonello da Caserta, also Anthonello, Antonellus Marot, was an Italian composer of the medieval era, active in the late 14th and early 15th centuries. Essentially nothing is known of Antonello's life. Earlier in the 20th century, Nino Pirrotta thought Caserta was a Neapolitan composer, but … read more
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Medieval English Music
13 listeners
Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. Historians usually distinguish between … read moreSurviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music fo… read moreSurviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some r… read more
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Robertsbridge Codex
30 listeners
The Robertsbridge Codex (1360) is a music manuscript of the 14th century. It contains the earliest surviving music written specifically for… read moreThe Robertsbridge Codex (1360) is a music manuscript of the 14th century. It contains the earliest surviving music written specifically for keyboard. The term codex is somewhat misleading: the musical section of the source comprises only… read moreThe Robertsbridge Codex (1360) is a music manuscript of the 14th century. It contains the earliest surviving music written specifically for keyboard. The term codex is somewhat misleading: the musical section of the source comprises only two leaves, bound together with a larger manuscript from Ro… read more
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Codex Faenza
139 listeners
The Codex Faenza (Faenza, Biblioteca Comunale 117) (I-FZC 117) also known as Codex Bonadies is a manuscript copied in the fifteenth century… read moreThe Codex Faenza (Faenza, Biblioteca Comunale 117) (I-FZC 117) also known as Codex Bonadies is a manuscript copied in the fifteenth century that contains collection of the oldest preserved keyboard repertoire to date. The manuscript con… read moreThe Codex Faenza (Faenza, Biblioteca Comunale 117) (I-FZC 117) also known as Codex Bonadies is a manuscript copied in the fifteenth century that contains collection of the oldest preserved keyboard repertoire to date. The manuscript consists of 98 folios of parchment distributed in 10 installmen… read more
