Jenette Mackie built Polly Panic on the back of an electrified and often distorted cello married to manic-depressive drums. Her vocal stylings owe as much to Sylvia Plath and Virginia Woolf as they do to PJ Harvey and Tori Amos; Mackie wails out powerfully in raw, charismatic tones. Hardly delicate, the music of Polly Panic draws heavily upon themes of powerlessness, control, fear and abuse without rejecting the idea of hope or redemption. The result is a sound truly beautiful, dark and unforgettable. Jenette was trained classically at the Crane School of Music in New York, but chos… read more
Jenette Mackie built Polly Panic on the back of an electrified and often distorted cello married to manic-depressive drums. Her vocal stylings owe as much to Sylvia Plath and Virginia Woolf as they do to PJ Harvey and Tori Amos; Mackie wails out powerfully in raw, charismatic tones. Hardly de… read more
Jenette Mackie built Polly Panic on the back of an electrified and often distorted cello married to manic-depressive drums. Her vocal stylings owe as much to Sylvia Plath and Virginia Woolf as they do to PJ Harvey and Tori Amos; Mackie wails out powerfully in raw, charismatic tones. Hardly delicate, the music of Polly Panic draws heavily upon themes of powerlessn… read more