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Copyright – My Desire (feat. Donae'o)
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London, United Kingdom
There are, at least, four artists using this name.
1) London, UK based DJ/production duo Sam Holt & Gavin Mills endeavour to make soulful house with a global vibe. They are soon to release of their debut album - Voices and Visions. A collection of soulful house, classic song-writing, with latin / afrobeat / disco / funk / tech influences, with guest singers.
‘Voices and Vision’s’ is set propel Copyright into the super league of global house players. Having their first proper release on the hugely influential US label Soulfuric back in 2000, the boys proceeded to put out a slew of quality tracks on that and several other labels (including their own imprint, Copyright Recordings) in the early noughties. Tracks like ‘Good For You’ feat Angie Brown, ‘Bulo’ with longtime friend and percussion collaborator Shovel and ‘Release Yourself’ set the pace, while their move to Defected in 2005 saw them jump up a gear with tracks like ‘He Is’, ‘Bring Me Love’ and ‘I Pray’. The international recognition they received from these releases culminated in Defected boss Simon Dunmore asking Copyright to mix the 2007 ‘Miami In The House’ compilation. Distilling the Copyright sound while showcasing their mixing prowess and nose for what makes a great party, it went on to sell more than 30, 000 copies globally. Which begs the question, with so much success, how come it’s taken them so long to finally deliver their debut long player? “I think we wanted to wait until the time was completely right,” says Gavin.
1) London, UK based DJ/production duo Sam Holt & Gavin Mills endeavour to make soulful house with a global vibe. They are soon to release of their debut album - Voices and Visions. A collection of soulful house, classic song-writing, with latin / afrobeat / disco / funk / tech influences, with guest singers.
‘Voices and Vision’s’ is set propel Copyright into the super league of global house players. Having their first proper release on the hugely influential US label Soulfuric back in 2000, the boys proceeded to put out a slew of quality tracks on that and several other labels (including their own imprint, Copyright Recordings) in the early noughties. Tracks like ‘Good For You’ feat Angie Brown, ‘Bulo’ with longtime friend and percussion collaborator Shovel and ‘Release Yourself’ set the pace, while their move to Defected in 2005 saw them jump up a gear with tracks like ‘He Is’, ‘Bring Me Love’ and ‘I Pray’. The international recognition they received from these releases culminated in Defected boss Simon Dunmore asking Copyright to mix the 2007 ‘Miami In The House’ compilation. Distilling the Copyright sound while showcasing their mixing prowess and nose for what makes a great party, it went on to sell more than 30, 000 copies globally. Which begs the question, with so much success, how come it’s taken them so long to finally deliver their debut long player? “I think we wanted to wait until the time was completely right,” says Gavin.
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