31
|
|
|
6. Meter, Part 2
|
|
|
|
0:53
|
|
32
|
|
|
6. Meter, Part 2: II.
|
|
|
|
11:04
|
|
33
|
|
|
6. Meter, Part 2: III.
|
|
|
|
12:49
|
|
34
|
|
|
6. Meter, Part 2: IV.
|
|
|
|
6:37
|
|
35
|
|
|
6. Meter, Part 2: V.
|
|
|
|
14:00
|
|
36
|
|
|
7. Pitch and Mode, Part 1
|
|
|
|
17:01
|
|
37
|
|
|
7. Pitch and Mode, Part 1: II.
|
|
|
|
3:27
|
|
38
|
|
|
7. Pitch and Mode, Part 1: II.B.
|
|
|
|
5:55
|
|
39
|
|
|
7. Pitch and Mode, Part 1: II.D.
|
|
|
|
11:12
|
|
40
|
|
|
7. Pitch and Mode, Part 1: II.F.
|
|
|
|
5:53
|
|
41
|
|
|
8. Pitch and Mode, Part 2
|
|
|
|
13:22
|
|
42
|
|
|
8. Pitch and Mode, Part 2: II.
|
|
|
|
13:25
|
|
43
|
|
|
8. Pitch and Mode, Part 2: II.G.
|
|
|
|
8:19
|
|
44
|
|
|
8. Pitch and Mode, Part 2: III.
|
|
|
|
10:49
|
|
45
|
|
|
Credits
|
|
|
|
0:54
|
|
46
|
|
|
About the Professor
|
|
|
|
1:34
|
|
47
|
|
|
9. Intervals and Tunings
|
|
|
|
9:41
|
|
48
|
|
|
9. Intervals and Tunings: I.F.
|
|
|
|
6:17
|
|
49
|
|
|
9. Intervals and Tunings: III.
|
|
|
|
4:38
|
|
50
|
|
|
9. Intervals and Tunings: IV.
|
|
|
|
2:59
|
|
51
|
|
|
9. Intervals and Tunings: V.
|
|
|
|
12:52
|
|
52
|
|
|
9. Intervals and Tunings: VI.
|
|
|
|
8:40
|
|
53
|
|
|
10. Tonality, Key Signature and the Circle of Fifths
|
|
|
|
8:29
|
|
54
|
|
|
10. Tonality, Key Signature and the Circle of Fifths: II.
|
|
|
|
7:40
|
|
55
|
|
|
10. Tonality, Key Signature and the Circle of Fifths: III.
|
|
|
|
8:34
|
|
56
|
|
|
10. Tonality, Key Signature and the Circle of Fifths: IV.
|
|
|
|
11:19
|
|
57
|
|
|
10. Tonality, Key Signature and the Circle of Fifths: IV…
|
|
|
|
8:32
|
|
58
|
|
|
11. Intervals Revisited and Expanded
|
|
|
|
3:22
|
|
59
|
|
|
11. Intervals Revisited and Expanded: I.
|
|
|
|
13:05
|
|
60
|
|
|
11. Intervals Revisited and Expanded: III.
|
|
|
|
5:20
|
|
61
|
|
|
11. Intervals Revisited and Expanded: IV.
|
|
|
|
11:50
|
|
62
|
|
|
11. Intervals Revisited and Expanded: VI.
|
|
|
|
3:56
|
|
63
|
|
|
11. Intervals Revisited and Expanded: VII.
|
|
|
|
10:31
|
|
64
|
|
|
12. Melody
|
|
|
|
9:33
|
|
65
|
|
|
12. Melody: II.
|
|
|
|
10:37
|
|
66
|
|
|
12. Melody: III.
|
|
|
|
11:20
|
|
67
|
|
|
12. Melody: IV.
|
|
|
|
9:28
|
|
68
|
|
|
12. Melody: V.
|
|
|
|
4:42
|
|
69
|
|
|
Credits
|
|
|
|
0:54
|
|
70
|
|
|
About the Professor
|
|
|
|
1:34
|
|
71
|
|
|
13. Melody, continued
|
|
|
|
19:35
|
|
72
|
|
|
13. Melody, continued: II.
|
|
|
|
9:21
|
|
73
|
|
|
13. Melody, continued: III.
|
|
|
|
9:08
|
|
74
|
|
|
13. Melody, continued: V.
|
|
|
|
1:22
|
|
75
|
|
|
13. Melody, continued: VI.
|
|
|
|
6:09
|
|
76
|
|
|
14. Texture and Harmony, Part 1
|
|
|
|
13:27
|
|
77
|
|
|
14. Texture and Harmony, Part 1: II.
|
|
|
|
9:23
|
|
78
|
|
|
14. Texture and Harmony, Part 1: III.
|
|
|
|
8:25
|
|
79
|
|
|
14. Texture and Harmony, Part 1: V!.
|
|
|
|
4:27
|
|
80
|
|
|
14. Texture and Harmony, Part 1: VIII.
|
|
|
|
5:50
|
|
81
|
|
|
14. Texture and Harmony, Part 1: X.
|
|
|
|
5:19
|
|
82
|
|
|
15. Harmony, Part 2: Function, Tendency and Dominance
|
|
|
|
2:08
|
|
83
|
|
|
15. Harmony, Part 2: Function, Tendency and Dominance: I.
|
|
|
|
6:56
|
|
84
|
|
|
15. Harmony, Part 2: Function, Tendency and Dominance: III.
|
|
|
|
8:23
|
|
85
|
|
|
15. Harmony, Part 2: Function, Tendency and Dominance: IV.
|
|
|
|
11:59
|
|
86
|
|
|
15. Harmony, Part 2: Function, Tendency and Dominance: V.
|
|
|
|
11:07
|
|
87
|
|
|
16. Harmony, Part 3: Progression, Cadence and Modulation
|
|
|
|
23:28
|
|
88
|
|
|
16. Harmony, Part 3: Progression, Cadence and Modulation: II.
|
|
|
|
4:06
|
|
89
|
|
|
16. Harmony, Part 3: Progression, Cadence and Modulation: III.
|
|
|
|
5:37
|
|
90
|
|
|
16. Harmony, Part 3: Progression, Cadence and Modulation: IV.C.
|
|
|
|
7:44
|
|
91
|
|
|
16. Harmony, Part 3: Progression, Cadence and Modulation: IV.G.
|
|
|
|
6:36
|
|
92
|
|
|
Credits
|
|
|
|
0:54
|
|
93
|
|
|
About the Professor
|
|
|
|
1:34
|
|