31
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|
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Twelve‐Bar Blues in C
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|
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|
1:52
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|
32
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Twelve‐Bar Blues in G
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|
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1:22
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|
33
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II‐V‐I in C
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|
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0:57
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|
34
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Doodling: Some Hooks Or Openings
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|
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1:21
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2 位听众
|
35
|
|
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Doodling: Vaguer Exploration
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|
|
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1:21
|
2 位听众
|
36
|
|
|
Doodling: Exploring Extremes
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|
|
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1:06
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1 位听众
|
37
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|
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Doodling: Sonorities—Block Chords
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|
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1:04
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38
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|
|
Doodling: Sonorities—Melody and Bass‐Line
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|
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0:57
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|
39
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Doodling: Two Parts—Fixed Left Hand
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|
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|
0:59
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|
40
|
|
|
Doodling: Two Parts—Fixed Right Hand
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|
|
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0:49
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|
41
|
|
|
Phil Peskett, 'Prove You Groove': Left Hand Ideas
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|
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0:57
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|
42
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|
|
Polyrhythms
|
|
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1:14
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1 位听众
|
43
|
|
|
Rhythmic Placement: Two Notes, On The Beat
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|
|
|
0:56
|
|
44
|
|
|
Rhythmic Placement: Two Notes, Off The Beat
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|
|
|
0:56
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|
45
|
|
|
Alternating Swing And Straight Grooves
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|
|
|
0:50
|
1 位听众
|
46
|
|
|
Harry James, Duke Ellington, Johnny Hodges & Don George, 'I'm Beginning to See the Light': Opening 16 Bars, 2 Feel and 4 Feel
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|
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|
0:43
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|
47
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|
|
Billy Taylor, 'I Wish I Knew (How It Feels to Be Free)': 8‐Beat Rock Groove
|
|
|
|
0:30
|
|
48
|
|
|
Paul Jackson, Harvey Mason, Bennie Maupin & Herbie Hancock, 'Chameleon': 16‐Beat Rock Groove
|
|
|
|
0:30
|
|
49
|
|
|
Terry Seabrook, 'Mambo Country': 3 + 2 Clave
|
|
|
|
0:31
|
|
50
|
|
|
Moises Simon, 'Peanut Vendor': 2 + 3 Clave
|
|
|
|
0:31
|
|
51
|
|
|
Antonio Carlos Jobim, 'One Note Samba'
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|
|
|
0:50
|
|
52
|
|
|
Improvisation Using Stepwise Movement
|
|
|
|
0:31
|
2 位听众
|
53
|
|
|
Improvisation Using Wide Leaps
|
|
|
|
0:31
|
1 位听众
|
54
|
|
|
Melodic And Harmonic Intervals Played And Named
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|
|
|
3:54
|
|
55
|
|
|
Various 7 Chords
|
|
|
|
2:11
|
1 位听众
|
56
|
|
|
II‐V‐I in C With Inner Lines Played
|
|
|
|
0:49
|
|
57
|
|
|
III‐VI‐II‐V‐I in C With Inner Lines Played
|
|
|
|
1:10
|
|
58
|
|
|
II‐V‐I in C in Different Voicings
|
|
|
|
2:12
|
|
59
|
|
|
Example Of Chord Inversion
|
|
|
|
0:17
|
|
60
|
|
|
Examples Of Diminished 7ths
|
|
|
|
0:45
|
1 位听众
|
61
|
|
|
Billy Strayhorn, "Take the 'A' Train': AABA Form Demonstrated
|
|
|
|
1:04
|
|
62
|
|
|
Billy Strayhorn, "Take the 'A' Train': 3 'Minus One' Choruses
|
|
|
|
2:35
|
|
63
|
|
|
Improvisation Contrasting The Dorian And Mixolydian Modes
|
|
|
|
1:52
|
1 位听众
|
64
|
|
|
Range Of Voicings For Mixolydian On D
|
|
|
|
1:06
|
1 位听众
|
65
|
|
|
A Well‐Known Tune Played in the Dorian, Mixolydian and Lydian Modes
|
|
|
|
1:34
|
|
66
|
|
|
Extended Solo Demonstrating A Range Of Blues Techniques
|
|
|
|
1:41
|
|
67
|
|
|
Twelve‐Bar Blues With Rich Bebop Substitutions
|
|
|
|
0:55
|
|