曲单
| 音轨号 | 播放 | 喜爱 | 曲目名称 | 艺术家姓名 | 购买 | 选项 | 时长 | 听众 |
|---|---|---|---|---|---|---|---|---|
| 1 | in the beginning, there was… |
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2:00 | ||||
| 2 | First Meeting |
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2:48 | ||||
| 3 | Xenosaga II Opening Theme |
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2:33 | ||||
| 4 | Assault |
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3:40 | ||||
| 5 | Strain~Jin |
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3:55 | ||||
| 6 | Here He Comes |
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1:58 | ||||
| 7 | Fatal Fight (Jin & Margulis) |
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4:13 | ||||
| 8 | R&D Report |
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1:51 | ||||
| 9 | Chase |
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2:39 | ||||
| 10 | Surrounded |
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2:55 | ||||
| 11 | Lamentation |
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5:24 | ||||
| 12 | Albedo |
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1:59 | ||||
| 13 | 播放单曲 | Communication Breakdown |
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4:14 | |||
| 14 | Sakura (Theme-Piano Version) |
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1:38 | ||||
| 15 | Sakura ＃2（theme-simple voc.ver.） |
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| 16 | Strained |
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1:08 | ||||
| 17 | Jr. ＃2 |
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| 18 | Strained #2 ~ Albedo #2 |
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3:55 | ||||
| 19 | in the beginning, there was… #2 |
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2:00 | ||||
| 20 | Battle of Elsa |
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3:02 | ||||
| 21 | here she comes（KOS-MOS） |
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| 22 | Battle of Elsa #2 |
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2:09 | ||||
| 23 | 播放单曲 | Gate Out |
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3:29 | |||
| 24 | here he comes #2 |
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3:30 | ||||
| 25 | Creeping Fear |
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2:05 | ||||
| 26 | U-DO ~ Febronia |
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3:48 | ||||
| 27 | Final Crisis |
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2:14 | ||||
| 28 | Presentiment ~ Jr. #3 |
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3:16 | ||||
| 29 | a field of battle ~ bitter #2 |
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2:56 | ||||
| 30 | inside～Sakura ＃3 |
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| 音轨号 | 播放 | 喜爱 | 曲目名称 | 艺术家姓名 | 购买 | 选项 | 时长 | 听众 |
|---|---|---|---|---|---|---|---|---|
| 31 | I Am Free |
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|
1:40 | ||||
| 32 | Sakura #4 (Theme-Gentle Strings Version) |
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2:06 | ||||
| 33 | Sweet Song (Xenosaga II ending theme) |
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5:32 | ||||
| 34 | Jr. |
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3:26 | ||||
| 35 | Jr.＃4 |
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|||||
| 36 | fatal fight #2 |
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2:20 | ||||
| 37 | bitter |
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2:53 | ||||
| 38 | Nephilim |
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1:28 | ||||
| 39 | The Image Theme of Xenosaga II #piano version |
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3:10 | ||||
| 40 | the image theme of Xenosaga II |
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5:31 |
相似专辑
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外部链接
关于此艺术家
梶浦由記
137542 位听众
1992年10月，梶浦由记作为乐队See-Saw的键盘手而在FUNHOUSE出道。这个由她的高中好友西冈由记子担当贝司手，石川千亚纪主唱的三人组合，在学生时代他们便在一起表演、学习和创作时结下了交情和默契。94年西冈由纪子退出之前，梶浦由记的主要精力还是放在乐队活动上。次年，她开始为电影、CM作曲，工作范围很快扩大到动化、游戏和音乐剧. 梶浦由记因成名后，人们才意识到某些熟悉动人的音乐是她的作品，比如音乐专集中表达出那种无法抑制的思恋的钢琴曲 接近十年在音乐圈内的经验和技巧成长奠定了2001年梶浦由记负责的音乐的成功。动化监督真下耕一似乎并不介意配乐超越画面剧情的地位，给予梶浦由记极大的发挥余地，于是精致的音乐比低成本制作粗糙的动画更出风头。加上音乐配合故事本身的异域风情。美女杀手、黑手党、极端的世界观这些一般动画题材中少有的元素，战线出独树一帜的风格。梶浦由记是摆弄键盘器出身，大学里接触轻音乐较多，自然擅长用电子乐器制造不同的音响效。除了在之前的音乐经历中的锻炼学习，她的阅读爱好也是他揣摩意大利、拉丁民族音乐的途径。 音乐风格为The world和New age
查看维基
1992年10月，梶浦由记作为乐队See-Saw的键盘手而在FUNHOUSE出道。这个由她的高中好友西冈由记子担当贝司手，石川千亚纪主唱的三人组合，在学生时代他们便在一起表演、学习和创作时结下了交情和默… 了解更多
1992年10月，梶浦由记作为乐队See-Saw的键盘手而在FUNHOUSE出道。这个由她的高中好友西冈由记子担当贝司手，石川千亚纪主唱的三人组合，在学生时代他们便在一起表演、学习和创作时结下了交情和默契。94年西冈由纪子退出之前，梶浦由记的主要精力还… 了解更多
