曲单
| 音轨号 | 播放 | 喜爱 | 曲目名称 | 艺术家姓名 | 购买 | 选项 | 时长 | 听众 |
|---|---|---|---|---|---|---|---|---|
| 1 | until you find a light ～op theme #5 | 笠原由里、貝田由里子、KAORI |
|
|
3:27 | |||
| 2 | one small life |
|
|
2:02 | ||||
| 3 | 播放单曲 | storia | Kalafina |
|
|
3:37 | ||
| 4 | chaotic |
|
|
3:02 | ||||
| 5 | jubilee | 伊東えり、貝田由里子 |
|
|
2:05 | |||
| 6 | noisy and unrest |
|
|
2:00 | ||||
| 7 | a forced march |
|
|
2:24 | ||||
| 8 | the coming ruin |
|
|
2:20 | ||||
| 9 | I am a small boat on a river |
|
|
2:32 | ||||
| 10 | a will to go ～op theme #6 |
|
|
2:12 | ||||
| 11 | a reckless passion |
|
|
2:26 | ||||
| 12 | the outbreak | 笠原由里 |
|
|
2:24 | |||
| 13 | you can go your own way |
|
|
2:25 | ||||
| 14 | Foreboding |
|
|
0:55 | ||||
| 15 | mysterious | 伊東えり |
|
|
1:43 | |||
| 16 | looking back to the past |
|
|
2:11 | ||||
| 17 | bad things that should happen |
|
|
1:47 | ||||
| 18 | town of vigor |
|
|
1:55 | ||||
| 19 | creative power |
|
|
2:09 | ||||
| 20 | break down the door |
|
|
2:46 | ||||
| 21 | must go ahead,somehow |
|
|
2:18 | ||||
| 22 | the breath of the era |
|
|
2:17 | ||||
| 23 | a fruitless love | 貝田由里子、KAORI |
|
|
2:56 | |||
| 24 | to the next door ～op theme #7 | 伊東えり |
|
|
1:57 | |||
| 25 | a tiny light |
|
|
2:30 | ||||
| 26 | symphonia (TV ver.) | Kalafina |
|
|
4:06 |
相似专辑
音乐记录数据
最近收听趋势
| 天 | 听众 |
|---|---|
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 |
外部链接
关于此艺术家
梶浦由記
93352 位听众
1992年10月，梶浦由记作为乐队See-Saw的键盘手而在FUNHOUSE出道。这个由她的高中好友西冈由记子担当贝司手，石川千亚纪主唱的三人组合，在学生时代他们便在一起表演、学习和创作时结下了交情和默契。94年西冈由纪子退出之前，梶浦由记的主要精力还是放在乐队活动上。次年，她开始为电影、CM作曲，工作范围很快扩大到动化、游戏和音乐剧. 梶浦由记因成名后，人们才意识到某些熟悉动人的音乐是她的作品，比如音乐专集中表达出那种无法抑制的思恋的钢琴曲 接近十年在音乐圈内的经验和技巧成长奠定了2001年梶浦由记负责的音乐的成功。动化监督真下耕一似乎并不介意配乐超越画面剧情的地位，给予梶浦由记极大的发挥余地，于是精致的音乐比低成本制作粗糙的动画更出风头。加上音乐配合故事本身的异域风情。美女杀手、黑手党、极端的世界观这些一般动画题材中少有的元素，战线出独树一帜的风格。梶浦由记是摆弄键盘器出身，大学里接触轻音乐较多，自然擅长用电子乐器制造不同的音响效。除了在之前的音乐经历中的锻炼学习，她的阅读爱好也是他揣摩意大利、拉丁民族音乐的途径。 音乐风格为The world和New age
查看维基
1992年10月，梶浦由记作为乐队See-Saw的键盘手而在FUNHOUSE出道。这个由她的高中好友西冈由记子担当贝司手，石川千亚纪主唱的三人组合，在学生时代他们便在一起表演、学习和创作时结下了交情和默… 了解更多
1992年10月，梶浦由记作为乐队See-Saw的键盘手而在FUNHOUSE出道。这个由她的高中好友西冈由记子担当贝司手，石川千亚纪主唱的三人组合，在学生时代他们便在一起表演、学习和创作时结下了交情和默契。94年西冈由纪子退出之前，梶浦由记的主要精力还… 了解更多
