Join others and track this album
Scrobble, find and rediscover music with a Last.fm account
Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | What Was That |
|
|
5:28 | ||||
| 2 | Fireworks in Her Eyes |
|
|
2:16 | ||||
| 3 | Around the World (Of Hurt) in 80 Days |
|
|
3:00 | ||||
| 4 | Goodbye |
|
|
3:23 | ||||
| 5 | Eventide |
|
|
2:43 | ||||
| 6 | Meltdown |
|
|
2:47 | ||||
| 7 | Lavender's Laughing |
|
|
4:42 | ||||
| 8 | Slightly Radio Active |
|
|
3:49 | ||||
| 9 | The Boys Back Home |
|
|
3:51 | ||||
| 10 | The Last Rose (Of the Season) |
|
|
3:40 | ||||
| 11 | Letters to Heaven |
|
|
3:23 | ||||
| 12 | Highly and Unqualified |
|
|
2:28 |
Similar Albums
Scrobble Stats
Recent Listening Trend
| Day | Listeners |
|---|---|
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 |
External Links
About This Artist
Artist images
The Squires of the Subterrain
612 listeners
The Squires of the Subterrain springs from the do-it-yourself, lo-fi (but certainly not low-quality) pop ingenuity of a single man, Christopher Earl (born Christopher Earl Zajkowski), a fixture on the 1990s underground pop scene of Rochester, NY. Throughout the decade, while playing in numerous combos and side projects, Earl was creating some quirky and brilliant pop informed by the most far-out '60s work of the Beatles, Zombies, Kinks, and particularly Brian Wilson, on the sly in his basement (hence the derivation on "subterranean") lair and releasing it on a series … read more
The Squires of the Subterrain springs from the do-it-yourself, lo-fi (but certainly not low-quality) pop ingenuity of a single man, Christopher Earl (born Christopher Earl Zajkowski), a fix… read more
The Squires of the Subterrain springs from the do-it-yourself, lo-fi (but certainly not low-quality) pop ingenuity of a single man, Christopher Earl (born Christopher Earl Zajkowski), a fixture on the 1990s underground pop scene of Roc… read more
