Join others and track this album
Scrobble, find and rediscover music with a Last.fm account
Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Play track | Lover |
|
|
5:11 | |||
| 2 | Blues In Mambo |
|
|
7:21 | ||||
| 3 | Play track | Manteca |
|
|
8:06 | |||
| 4 | Five Ô Clock Whistle |
|
|
5:13 | ||||
| 5 | Play track | East of the Sun |
|
|
9:14 | |||
| 6 | Play track | Exactly Like You |
|
|
7:10 | |||
| 7 | Play track | 's Wonderful |
|
|
6:44 | |||
| 8 | Play track | Estrellita |
|
|
6:55 | |||
| 9 | Play track | Oh, Lady Be Good |
|
|
5:53 | |||
| 10 | You'd Be So Nice to Come (feat. Art Pepper) |
|
|
5:26 | ||||
| 11 | Play track | Ahmad's Blues | Miles Davis |
|
|
7:27 |
Similar Albums
Scrobble Stats
Recent Listening Trend
| Day | Listeners |
|---|---|
| 11 | |
| 17 | |
| 11 | |
| 14 | |
| 16 | |
| 13 | |
| 14 | |
| 12 | |
| 18 | |
| 12 | |
| 16 | |
| 17 | |
| 9 | |
| 16 | |
| 16 | |
| 26 | |
| 12 | |
| 10 | |
| 14 | |
| 13 | |
| 18 | |
| 16 | |
| 18 | |
| 18 | |
| 17 | |
| 15 | |
| 8 | |
| 18 | |
| 15 | |
| 12 | |
| 14 | |
| 19 | |
| 13 | |
| 11 | |
| 14 | |
| 11 | |
| 11 | |
| 17 | |
| 14 | |
| 17 | |
| 13 | |
| 16 | |
| 17 | |
| 21 | |
| 20 | |
| 18 | |
| 14 | |
| 10 | |
| 16 | |
| 12 | |
| 12 | |
| 14 | |
| 12 | |
| 19 | |
| 10 | |
| 10 | |
| 12 | |
| 11 | |
| 13 | |
| 12 | |
| 20 | |
| 19 | |
| 15 | |
| 11 | |
| 18 | |
| 12 | |
| 13 | |
| 14 | |
| 9 | |
| 18 | |
| 12 | |
| 19 | |
| 9 | |
| 18 | |
| 9 | |
| 10 | |
| 19 | |
| 16 | |
| 10 | |
| 21 | |
| 15 | |
| 14 | |
| 24 | |
| 14 | |
| 17 | |
| 13 | |
| 16 | |
| 15 | |
| 21 | |
| 12 | |
| 13 | |
| 13 | |
| 16 | |
| 26 | |
| 19 | |
| 15 | |
| 9 | |
| 11 | |
| 14 | |
| 10 | |
| 22 | |
| 16 | |
| 18 | |
| 24 | |
| 20 | |
| 13 | |
| 16 | |
| 19 | |
| 20 | |
| 16 | |
| 19 | |
| 14 | |
| 15 | |
| 16 | |
| 14 | |
| 16 | |
| 14 | |
| 13 | |
| 9 | |
| 15 | |
| 7 | |
| 11 | |
| 9 | |
| 14 | |
| 13 | |
| 12 | |
| 6 | |
| 6 | |
| 12 | |
| 11 | |
| 18 | |
| 9 | |
| 21 | |
| 19 | |
| 13 | |
| 14 | |
| 14 | |
| 20 | |
| 8 | |
| 11 | |
| 15 | |
| 8 | |
| 10 | |
| 16 | |
| 12 | |
| 13 | |
| 14 | |
| 11 | |
| 17 | |
| 10 | |
| 15 | |
| 13 | |
| 16 | |
| 16 | |
| 11 | |
| 10 | |
| 15 | |
| 15 | |
| 17 | |
| 15 | |
| 11 | |
| 10 | |
| 10 | |
| 17 | |
| 13 | |
| 13 | |
| 19 | |
| 13 | |
| 13 | |
| 14 | |
| 20 | |
| 19 | |
| 16 | |
| 21 | |
| 13 | |
| 16 | |
| 15 | |
| 21 | |
| 20 | |
| 18 | |
| 17 |
External Links
About This Artist
Red Garland
285,802 listeners
Largely self-taught, Red Garland established a reputation as a solid post-bop mainstream player in the 50s, playing with many of the most famous jazz musicians of the time. He achieved international fame in the late 50s as part of the Miles Davis quintet. He went on to lead his own groups, but then retired in 1968, a victim the declining demand for jazz. He reemerged in 1976 and performed regularly until his death in 1984. Garland was known for his eloquent middle-of-the-road style. A fertile, often moving improvisor, he developed a characteristic block chord sound by combining octa… read more
Largely self-taught, Red Garland established a reputation as a solid post-bop mainstream player in the 50s, playing with many of the most famous jazz musicians of the time. He achieved inte… read more
Largely self-taught, Red Garland established a reputation as a solid post-bop mainstream player in the 50s, playing with many of the most famous jazz musicians of the time. He achieved international fame in the late 50s as part of the … read more
