Join others and track this song
Scrobble, find and rediscover music with a Last.fm account
Featured On
Scrobble Stats
Recent Listening Trend
| Day | Listeners |
|---|---|
| 15 | |
| 13 | |
| 11 | |
| 10 | |
| 12 | |
| 18 | |
| 17 | |
| 20 | |
| 15 | |
| 12 | |
| 12 | |
| 12 | |
| 14 | |
| 17 | |
| 17 | |
| 16 | |
| 16 | |
| 16 | |
| 17 | |
| 17 | |
| 19 | |
| 16 | |
| 13 | |
| 12 | |
| 14 | |
| 10 | |
| 21 | |
| 22 | |
| 16 | |
| 17 | |
| 23 | |
| 20 | |
| 14 | |
| 18 | |
| 13 | |
| 17 | |
| 15 | |
| 19 | |
| 9 | |
| 15 | |
| 15 | |
| 13 | |
| 16 | |
| 10 | |
| 11 | |
| 15 | |
| 6 | |
| 12 | |
| 13 | |
| 8 | |
| 11 | |
| 11 | |
| 12 | |
| 20 | |
| 14 | |
| 14 | |
| 14 | |
| 18 | |
| 15 | |
| 15 | |
| 20 | |
| 14 | |
| 19 | |
| 18 | |
| 9 | |
| 10 | |
| 14 | |
| 32 | |
| 28 | |
| 24 | |
| 23 | |
| 20 | |
| 16 | |
| 15 | |
| 15 | |
| 14 | |
| 19 | |
| 19 | |
| 14 | |
| 18 | |
| 13 | |
| 23 | |
| 21 | |
| 21 | |
| 17 | |
| 11 | |
| 12 | |
| 16 | |
| 12 | |
| 24 | |
| 17 | |
| 18 | |
| 9 | |
| 13 | |
| 9 | |
| 20 | |
| 21 | |
| 21 | |
| 17 | |
| 21 | |
| 11 | |
| 18 | |
| 23 | |
| 19 | |
| 22 | |
| 18 | |
| 13 | |
| 20 | |
| 18 | |
| 27 | |
| 13 | |
| 14 | |
| 32 | |
| 18 | |
| 15 | |
| 11 | |
| 16 | |
| 15 | |
| 21 | |
| 7 | |
| 11 | |
| 11 | |
| 9 | |
| 17 | |
| 16 | |
| 25 | |
| 16 | |
| 15 | |
| 11 | |
| 10 | |
| 11 | |
| 14 | |
| 19 | |
| 14 | |
| 6 | |
| 17 | |
| 19 | |
| 17 | |
| 10 | |
| 11 | |
| 16 | |
| 11 | |
| 22 | |
| 17 | |
| 21 | |
| 9 | |
| 20 | |
| 12 | |
| 17 | |
| 8 | |
| 21 | |
| 16 | |
| 13 | |
| 18 | |
| 15 | |
| 10 | |
| 16 | |
| 8 | |
| 8 | |
| 20 | |
| 12 | |
| 20 | |
| 10 | |
| 11 | |
| 20 | |
| 13 | |
| 23 | |
| 19 | |
| 16 | |
| 11 | |
| 11 | |
| 6 | |
| 11 | |
| 9 | |
| 21 | |
| 17 | |
| 22 | |
| 13 | |
| 13 | |
| 18 | |
| 18 |
Play this track
External Links
About This Artist
Michael McCann
154,190 listeners
Michael McCann (also known as Behavior) is a Canadian composer for television, video games, and film. He is best known for composing the scores to the video games Tom Clancy's Splinter Cell: Double Agent, Deus Ex: Human Revolution, XCOM: Enemy Unknown, Deus Ex: Mankind Divided and Borderlands 3. McCann's music incorporates elements of electronic, orchestral and traditional acoustic instruments, and often includes the use of world, choral, and solo vocals (primarily female, and primarily lyric-less). His scoring work, as well as solo and production work, bridges multiple ge… read more
