Part III – Adagio molto e cantabile – is marked by a different atmosphere than the previous parts, so we are under the impression that a new cycle begins. This is a moment of great lyricism, from which the composer eliminates any trace of doubt and conflict. The first theme can be considered a coral on a melodic construction, rendered by the chord instruments, and then followed by a secondary theme with a different structure (in ternary meter). It has a dancing disposition resulted from the removal of certain motifs, giving the impression of an " infinite, elliptical melody
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Part III – Adagio molto e cantabile – is marked by a different atmosphere than the previous parts, so we are under the impression that a new cycle be… read more
Part III – Adagio molto e cantabile – is marked by a different atmosphere than the previous parts, so we are under the impression that a new cycle begins. This is a moment of great lyric… read more
Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is regarded as one of the central figures in the history of Western music. His compositions, which are among the most frequently performed in the classical repertoire, mark a transition from the Classical period to the Romantic era. His career is often divided into three periods: the early period, ending around 1802, in which he developed his compositional style; the middle period, from 1802 to around 1812, noted for a more individual and often dramatic character; and the late peri… read more
Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is regarded as one of the central figures in the history of Western music. His composi… read more
Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is regarded as one of the central figures in the history of Western music. His compositions, which are among the most frequently per… read more