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Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Siren |
|
|
8:46 | ||||
| 2 | Oops! |
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3:40 | ||||
| 3 | Heads and Tails |
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|
6:30 | ||||
| 4 | Chuggalug |
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|
2:27 | ||||
| 5 | The Real Blow |
|
|
1:09 | ||||
| 6 | Choral Prelude |
|
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3:04 | ||||
| 7 | Hammer Horror |
|
|
1:40 | ||||
| 8 | Spikes |
|
|
1:49 | ||||
| 9 | Broken Bones |
|
|
1:28 | ||||
| 10 | Tacit |
|
|
0:10 | ||||
| 11 | Reversed Spam |
|
|
3:35 | ||||
| 12 | Buzz Buzz |
|
|
0:48 | ||||
| 13 | Schoenberg's Bow |
|
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2:31 | ||||
| 14 | Hitting The Wall At 100mph |
|
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5:35 | ||||
| 15 | Son of Tacit |
|
|
0:20 | ||||
| 16 | The Pages |
|
|
7:15 | ||||
| 17 | Whipped Cream |
|
|
2:39 | ||||
| 18 | spaghetti machine |
|
|
1:31 | ||||
| 19 | Il Tenore |
|
|
4:39 | ||||
| 20 | Warriors |
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|
2:47 | ||||
| 21 | The Agony and the Ecstasy (Automatic Violin Quartet) |
|
|
2:28 |
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External Links
About This Artist
Jon Rose
4,197 listeners
Jon Rose has created a body of radical music, and an alternative cultural context for the violin, its practice and its history. His Fence Project, has seen him, over the last 20 years, explore the sonic possibilities of fences all over the world. In recent months Jon Rose has given a two-day seminar to the Kronos String Quartet on how to play the fence; performed a completely new and improvised solo part for the Tchaikovsky Violin Concerto with the BBC Scottish Symphony Orchestra; created a major radiophonic work for the BBC on the history of the piano in nineteenth century Australi… read more
Jon Rose has created a body of radical music, and an alternative cultural context for the violin, its practice and its history. His Fence Project, has seen him, over the last 20 years, expl… read more
Jon Rose has created a body of radical music, and an alternative cultural context for the violin, its practice and its history. His Fence Project, has seen him, over the last 20 years, explore the sonic possibilities of fences all over… read more
