Join others and track this album
Scrobble, find and rediscover music with a Last.fm account
Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Play track | Manha de Carnaval | Luiz Bonfá |
|
|
3:00 | ||
| 2 | Passelo no Rio | Luiz Bonfá |
|
|
3:13 | |||
| 3 | Play track | Wave | Antônio Carlos Jobim |
|
|
2:52 | ||
| 4 | Play track | Samba Do Avião | Antônio Carlos Jobim |
|
|
2:12 | ||
| 5 | Sonha Iaiá | Isaias Savio |
|
|
3:05 | |||
| 6 | Serões | Isaias Savio |
|
|
2:20 | |||
| 7 | Batucada | Isaias Savio |
|
|
3:28 | |||
| 8 | Sonha De Magia | João Pernambuco |
|
|
2:54 | |||
| 9 | Pô De Mico | João Pernambuco |
|
|
3:06 | |||
| 10 | Prelude 1 | Heitor Villa‐Lobos |
|
|
4:29 | |||
| 11 | Prelude 2 | Heitor Villa‐Lobos |
|
|
2:50 | |||
| 12 | Prelude 3 | Heitor Villa‐Lobos |
|
|
6:20 | |||
| 13 | Prelude 4 | Heitor Villa‐Lobos |
|
|
4:02 | |||
| 14 | Prelude 5 | Heitor Villa‐Lobos |
|
|
3:28 | |||
| 15 | Chôro No. 1 (traditional) | Heitor Villa‐Lobos |
|
|
5:07 | |||
| 16 | Como Pode o Peixe | [traditional] |
|
|
2:18 | |||
| 17 | Nesta Rua | [traditional] |
|
|
1:53 | |||
| 18 | Samba Lele | [traditional] |
|
|
1:46 | |||
| 19 | Brazilliance | Laurindo Almeida |
|
|
3:23 | |||
| 20 | Retrato Brasiliero | Baden Powell |
|
|
3:38 | |||
| 21 | Deve Ser Amor | Baden Powell |
|
|
3:52 | |||
| 22 | Canto de Osanha | Baden Powell |
|
|
2:52 | |||
| 23 | Xâranga do Vôvo | Celso Machado |
|
|
2:31 |
Similar Albums
Scrobble Stats
Recent Listening Trend
| Day | Listeners |
|---|---|
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 |
External Links
About This Artist
Gerald Garcia
15,423 listeners
Gerald Garcia studied Chemistry at Oxford University and now lives in Oxford where he enjoys cooking, computer music, Taoist Yoga and conducting the odd chamber orchestra. When not performing as a guitarist in Borneo or the Arctic Circle, he composes music for guitar and live productions. His '25 Etudes Esquisses' for guitar solo have been recorded for NAXOS by John Holmquist and his music has been played and recorded by David Russell, Craig Ogden, the Amadeus Duo, the Eden-Stell Duo, Xue Fei Yang, the Los Angeles Guitar Quartet and John Williams. His compos… read more
Gerald Garcia studied Chemistry at Oxford University and now lives in Oxford where he enjoys cooking, computer music, Taoist Yoga and conducting the odd chamber orchestra. When not… read more
Gerald Garcia studied Chemistry at Oxford University and now lives in Oxford where he enjoys cooking, computer music, Taoist Yoga and conducting the odd chamber orchestra. When not performing as a guitarist in Borneo or the A… read more
