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Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Bunch of Fives | Checksum |
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6:15 | |||
| 2 | Maka | Equations of Eternity |
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6:55 | |||
| 3 | Play track | Spoil | Porter Ricks |
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7:56 | ||
| 4 | Buzzin' (Cellvoice Remix) | Sonar Lodge |
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5:28 | |||
| 5 | Play track | Anti-Nigger Machine | Public Enemy |
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3:17 | ||
| 6 | Play track | Flex.Membrane | Datach'i |
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|
4:00 | ||
| 7 | Play track | Pulsovian Invasion | Space Dimension Controller |
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|
3:40 | ||
| 8 | Play track | Hey Pocky Way | Art Neville |
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3:09 | ||
| 9 | Play track | Moonshake | Can |
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3:03 | ||
| 10 | Play track | Gongola Dub | Prince Far I |
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3:07 | ||
| 11 | the kosmologische konstante | farben presents the presets |
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||||
| 12 | Play track | Cocoon Dark Dub | Moritz von Oswald |
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|
7:57 | ||
| 13 | A Spirit They Saw | Knuckleduster |
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3:44 | |||
| 14 | Ak | David Torn |
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|
9:19 | |||
| 15 | Lyrical Lunatic (Edit) | Cut La Roc |
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||||
| 16 | Play track | Keep It Lit | Oh No |
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3:03 | ||
| 17 | Hearts Desire | Strange Parcels |
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4:09 | |||
| 18 | Tamper | Scorn |
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|
4:52 | |||
| 19 | Kleine Welt | Hans Joachim Irmler |
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3:13 |
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About This Artist
Frank Bretschneider
55,157 listeners
AKA Komet, he works as a musician, composer and video artist in Berlin. His work is known for precise sound placement, complex, interwoven rhythm structures and its minimal, flowing approach. Described as “abstract analogue pointilism”, “ambience for spaceports” or “hypnotic echochamber pulsebeat”, Bretschneider’s subtle and detailed music is echoed by his visuals: perfect translated realizations of the qualities found in music within visual phenomena. After studying fine arts and publishing several graphic editions, he began to satisfy his obsession for electronic music in 1984 b… read more
AKA Komet, he works as a musician, composer and video artist in Berlin. His work is known for precise sound placement, complex, interwoven rhythm structures and its minimal, flowing approach. Described as “abstract analogue pointilism”… read more
