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Most of its ethereal electronic-pop score was composed by Cliff Martinez, past drummer of the Red Hot Chili Peppers, whose ambient work on the Sex, Lies, and Videotape soundtrack Refn was a particular fan of. The score contains tracks with vintage keyboards and bluntly descriptive titles. Refn wanted electronic music for the film and to have the music occasionally be abstract so viewers can see things from The Driver's perspective. He gave composer Martinez a sampling of songs he liked… read more

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