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Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Wreckless Excess |
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4:34 | ||||
| 2 | Minor Changes |
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| 3 | Keep It Under a Hundred |
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4:07 | ||||
| 4 | The Porcupine Constant |
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3:35 | ||||
| 5 | D Talks |
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3:59 | ||||
| 6 | Slowly Spaced |
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4:02 | ||||
| 7 | Blues for Brittany |
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4:16 | ||||
| 8 | Monster Jam |
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4:28 | ||||
| 9 | The Climb |
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3:00 | ||||
| 10 | Music Vs. Hate |
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4:05 | ||||
| 11 | Ficus Running |
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4:38 | ||||
| 12 | Columbia |
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4:19 |
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About This Artist
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Byron Fry
409 listeners
BYRON FRY IS REALLY NOT ALL THAT IMPROBABLE: Having undergone guerilla ear-training with his Mother beginning around one year of age and explored free-form closed-fisted arhythmic, atonal improv on piano from infancy, Byron and his annoying sense of tonality all but inevitably continued his musical hooliganry by adding ukulele at four and guitar at five, formal education on piano commencing at nine. His first band was a rock trio of ten-year-olds; his hearing is surprisingly undamaged despite his best efforts. Fast-forward to twenty-one, when he went on to study improv with R… read more
BYRON FRY IS REALLY NOT ALL THAT IMPROBABLE: Having undergone guerilla ear-training with his Mother beginning around one year of age and explored free-form closed-fisted arhythmic, atona… read more
BYRON FRY IS REALLY NOT ALL THAT IMPROBABLE: Having undergone guerilla ear-training with his Mother beginning around one year of age and explored free-form closed-fisted arhythmic, atonal improv on piano from infancy, Byron and his … read more
