This track reminded me of the Bill Evans,"Trio 64"recording right away because Eddie Gomez has a Gary Peacock ,independent feel in the beginning of the song and the drums are choppy like the Paul Motian style back then . I wonder if Bill directed this idea ?I like it .
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This track reminded me of the Bill Evans,"Trio 64"recording right away because Eddie Gomez has a Gary Peacock ,independent feel in the begi… read more
This track reminded me of the Bill Evans,"Trio 64"recording right away because Eddie Gomez has a Gary Peacock ,independent feel in the beginning of the song and the drums are c… read more
Borrowing heavily from the impressionism of Debussy and Ravel, pianist Bill Evans brought an introverted, relaxed, and lyrical classical sensibility into jazz. Along with his keen technical ability and nuanced sense of harmony, Evans worked to democratize the role of the bassist and drummer in his succession of piano trios, encouraging greater contrapuntal interplay. After gaining widespread attention as a member of Miles Davis' late-'50s group, Evans garnered further acclaim for his own work, leading a celebrated trio with bassist Scott LaFaro and drummer Paul Motian and … read more
Borrowing heavily from the impressionism of Debussy and Ravel, pianist Bill Evans brought an introverted, relaxed, and lyrical classical sensibility into jazz. Along with his keen technical… read more
Borrowing heavily from the impressionism of Debussy and Ravel, pianist Bill Evans brought an introverted, relaxed, and lyrical classical sensibility into jazz. Along with his keen technical ability and nuanced sense of harmony, Evans w… read more