Tracklist
Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
---|---|---|---|---|---|---|---|---|
1 | Everything Seems Perfect (To Me) |
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3:36 | ||||
2 | Pleasure Inspector |
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4:00 | ||||
3 | Posture Photo #8: Counts Are Better |
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3:55 | ||||
4 | My Octatone |
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3:59 | ||||
5 | Once and Future Shoreline |
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3:43 | ||||
6 | Perfect Build Order |
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3:43 | ||||
7 | An Ounce of Prevention |
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4:56 | ||||
8 | More Alone Than This |
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3:41 | ||||
9 | On The 401 |
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4:57 | ||||
10 | (I Think She’s) Speaking In Code |
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5:24 | ||||
11 | Everything Seems Perfect (To Me) (Extended Version) |
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6:42 | ||||
12 | (You Should Be The Star Of My) Beach Movie |
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3:24 | ||||
13 | Posture Photo #9: Counts Are Better (Cryptozoology Edit) |
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6:31 |
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External Links
About This Artist
Bachelor Machines
115 listeners
Drawing their name and their found-object aesthetic from Duchamp and their love of sonic juxtaposition from the Space Age Pop movement of 1960s (not to mention the cut-up artists of more recent years), Bachelor Machines destroy recognizable sounds and restructures them into a comforting sonic world where computers talk, robot waitresses serve ice-cold cocktails, and messages from the home office are sent via pneumatic tube. In 2010, the Bachelors stopped engaging humans in rational conversations using the humans' own sounds. They now aim to address humans' nervous systems directly.
View wiki
Drawing their name and their found-object aesthetic from Duchamp and their love of sonic juxtaposition from the Space Age Pop movement of 1960s (not to mention the cut-up artists of more re… read more
Drawing their name and their found-object aesthetic from Duchamp and their love of sonic juxtaposition from the Space Age Pop movement of 1960s (not to mention the cut-up artists of more recent years), Bachelor Machines destroy recogni… read more