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guilhermealves_
Hey, how are you? Hope everything is fine with you and your loved ones! Would you recommend me Ted Gioia’s book on how to listen to jazz? Or another few ones? Thank you so much!
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BlueStreetNotes
Hi, I'm doing well thanks. I hope the same for you. The Ted Gioia book is good if you are new to jazz and is a solid introduction to the vast genre. If you are an avid listener Ted Gioia's The History of Jazz is more suited to the advanced listener. Also,here are some other excellent books on jazz you might check out - Dan Mortgensen's Living With Jazz, Nat Hentoff's The Jazz Life, James Kaplan's 3 Shades of Blue, Ashley Kahn's Kind of Blue - The Making of the Masterpiece, and for every serious jazz listener you must get a copy of The Penguin Guide to Jazz Seventh Edition. The book stopped being published several years ago shortly after Richard Cook died, but today it still stands as the greatest source of information on almost every Jazz Recording ever made pre-2000. Its 1,750 page long. Hope that helps and happy reading!
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MidasUgoSmith
As someonr finally converting to having Jazz as my favourite genre I one day hope to possess too a listening history with many jazz records! Will have years to even just get the basics down but it will be fun! And obviously there's nothing as great as catching great jazz musicians live wether vets or rising stars seen a lot of great players past 12 months (and also in the few jazz shows I went in the years beforehand)
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BlueStreetNotes
So true, so true. I am slightly jealous of you because I remember how exciting it was to hear some of the great jazz records for the first time and have my mind completely blown away. The discovery of so many hidden gems is the best part of the process. I hope your listening journey is amazing!
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MidasUgoSmith
Hell yeah! Thanks. 😊 I think around 17-18 years old I started minimally to listen to some Jazz and start ti understand why my dad loved this old people music. I think it was Kind of Blue by Davis and such I started out with because the internet talks a lot about that record (and critics at large over decades). Then around when I was 19 or 20 went to see The Aristocrats and John McLaughlin uhm... Quintet? With my dad. Ever since I've been slowly getting into jazz. Around 22 it really started to click and I've been going to a fuckload of shows with him and Nica Jazz Club the new club that opened just under 2 years ago is now our most visited venue. And since recently turning 23 a few weeks later around the start of October Jazz/Funk have clicked as my favorite genres!!!
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komatsuosaki
thanks for the follow! i enjoy jazz but don't listen it to it often enough. lots of gems in your library to explore :)
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BlueStreetNotes
Thanks for stopping by. If you haven't heard them before, here are 3 great albums that are a good introduction to the world of jazz - Miles Davis - Kind of Blue, Thelonious Monk - Monk's Blue and Charles Mingus - Mingus Ah Um. Hope you find something you like and happy listening!
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komatsuosaki
thanks for the recommendations! i'll try to remember to let you know what i think when i listen to them :)
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BlueStreetNotes
Great to see you listening to Keith, Duke, Mingus and Lester - I fear that one day there may be entire generations that never get the chance to hear their music because it will have disapeared from the digital world - but am hopeful that day never comes. "I cannot say what I think is right about music...I only know the rightness of it." -- Keith Jarrett.
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flatwoodsdevil
you got recommendations for anything thatll make me go shoo-doo-wop-skibbity-bee-bop-bop?
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BlueStreetNotes
Ah yes - the elusive shoo-doo-wop-skibbity-bee-bop-bop recordings - they are hard to find but when you do find them, they sure are fun. I think there are three that might be what you are looking for - Count Basie's album, "The Atomic Basie," is a whole lot of shoop-doo-wop with a healthy serving of skibbity-bee-bop. After Mr. Basie, you might check out Duke Ellington's masterpiece, "Blues in Orbit," followed by Dizzie Gillespie's 1964 classic, "Cool World," to close out the set. Now, I'm off to turn the lights on, on the dance floor and listen to some Basie myself. Hope the music gets the toes tapping, the knees slapping and the fingers snapping!
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BlueStreetNotes
Yes. I recently read his autobiogray, "Straight Life," and have been spending a lot of time with his music recently. He really was the greatest alto-saxaphonist of the post Charlie Parker era (with a nod to Cannonball who I would place third.) The challenge I am having, is there is this recent flood of, "unreleased," recordings that are everywhere for Art Pepper and its challenging to find the albums that he actually released as albums but I am working my way through. I always prefer to go back to the music in the way in which it was originally released as opposed to compilations, box sets or volumes of, "unreleased," live recordings - but as they say, its not about the destination, its the journey that makes it worthwhile! And I am loving the Art Pepper journey!
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BlueStreetNotes
In 1949, at age 22, Miles Davis met legendary French songstress Juliette Gréco and the two immediately emabarked on a love affair that would last almost 10 years. At the time Miles didn't speak any French and Juliette didn't speak any english. Later on, Gréco was asked how she was able to be romantically involved with someone for almost a decade that did not speak her language and Juliette replied with a smile, "Have you heard him play?" Miles' good friend, Jean-Paul Sartre and Pablo Picasso both asked Miles, "Why don't you marry Juliette?" and Miles response was simply, "I love her too much to her hurt her that way." He knew that the cultural stigmas still rampent in the US at the time would have been more than Juliette could handle.
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BlueStreetNotes
Shortly before his death in 1991, Miles travelled to Europe to see Juliette one last time. He was sitting in the verandah and Juliette was looking out the window and Miles started to laugh. Gréco asked him what was funny and he said, "No matter where I was...in whatever corner of the world, looking back I knew it was you. It was always you." A few months later, on September 28, 1991, Miles Davis died at age 65.
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BlueStreetNotes
If you are looking for a book to accompany you on your journey, The Penguin Guide to Jazz - Seventh Edition (published 2004 - the one with Art Blakey on the cover) by Richard Cook and Brian Morton is the best there is. Its 1,725 pages long and is a gold mine of information and insight into the world of jazz recordings. Sadly, the annual guide stopped being published in 2009 shortly after Richard Cook's death in 2007, but I still refer to my copies weekly for the keen insights and history of the recordings and I am always finding something new to listen to.
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BlueStreetNotes
Great and just to clarify, its Elvin Jones on the cover of the Seventh Edition - not Art Blakey. Hope you find some great music.
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BlueStreetNotes
"Don't play everything (or every time); let some things go by...what you don't play can be more important than what you do." -- Thelonious Monk
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Quazar333
Figured I'd drop some recommendations I think would be up your alley from my past year of listening that I don't see you having scrobbles for: Michael Garrick Trio - Moonscape Lucky Thompson - Tricotism, Lucky Strikes William Parker - Raining On The Moon Jimmy Hamilton - Can't Help Swinging (reissue which includes It's About Time) Muhal Richard Abrams - Afrisong Buck Clayton and Buddy Tate - Buck & Buddy Blow The Blues Rashied Ali Quintet featuring Frank Lowe - Sidewalks in Motion
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BlueStreetNotes
"You have to know 400 notes that you can play, then pick the right four." - Miles Davis
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BlueStreetNotes
Around 1979, jazz experienced a massive paradigm shift where it moved from the innovation of the clubs and dance halls - that offered an environment of experiment, improvisation and freedom - to the universities and consevatories that exploded with jazz studies offerings in the 80's. Instead of being driven by the natural creativity, genius and private mentorship among jazz musicians that much of the 50's, 60's and 70's had provided, you now had hundreds of musicians being institutionally taught by the rigors of academic constructs that jazz was this and only this - and in my opinion, it killed the genre - that along with Wynton Marsalis being appointed the czar of all things jazz, ruined the genre for me. And we ended an era around 1979 where everytime the likes of Charles Mingus, John Coltrane and Miles Davis would release an album, they would change the entire genre to albums abandoning the freedom of jazz innovation and shifting their focus to, "smooth jazz," and pop.
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BlueStreetNotes
I'm speaking in broad terms at the macro level. At the micro level, of course, there are musicians like John Zorn that are the outlier and you find a handful of contemporary jazz musicians that are making some really innovative music - but they are few and far between. Then you have many artists on the ECM label (which became almost its own genre) from the the 80's to the present that continue to innovate and international segments like the Scandinavian jazz musicians - Esbjorn Svensson, Bobo Stenson and Tord Gustavsen - but they are certainly the exception and rare finds in the modern jazz landscape.
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TeatimeMusic
Thank you. Many, many great choices here and a lot I don't know as a new jazz fan, so that's wonderful. There doesn't seem to be many jazz listeners on last.fm now, so it's nice to be connected :) Appreciate the sounds :) 🎵
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BlueStreetNotes
My go to has always been, Houston Person's, "To Etta with Love." The album is a love letter to Person's long-time musical partner, Etta Jones. Released shortly after her passing, Person plays his saxophone with his signature gorgeous tone and breathy attack, that has all the dusky ambience of the dimly-lit establishments Person and Jones spent a lifetime performing in. If you're looking for something piano-based, the best all time for me is Keith Jarrett's, "The Melody At Night With You." Recorded in December of 1997 as a Christmas present for his wife, Jarret had just had his Hamburg Steinway overhauled and wanted to try it out at his home studio. He clicked on the tape recorder and played for a few minutes and was amazed at how softly he could play. The end result was quite magnificent. The usual flourish associated with Jarrett, is not on this recording, the playing is earnest, passionate, focused and simple - as the musical language of love truly is, at its core.
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BlueStreetNotes
Just wanted to add another album to the list that I think you will really like - Paul Desmond & Dave Brubeck, "1975 - The Duets." Paul Desmond on sax, Dave Brubeck on keys...nothing more really needs to be said. Hope you enjoy!
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PianoInTheWild
""It must be that there is never the impression of being obliged to play the next note." - Samson François
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BlueStreetNotes
Thanks. You too! "As the painter needs his framework of parchment, the improvising musical group needs its framework in time." - Bill Evans
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BlueStreetNotes
Here's a few I would suggest if you haven't heard them before - Introducing Paul Bley with Paul Bley, Art Blakey and Charles Mingus, Chick Corea - Tones for Joan's Bones, Freddie Hubbard - Breaking Point, Keith Jarrett - Facing You, Jackie McLean - Capuchin Swing, Eddie "Lockjaw" Davis - Coobook, Vol. 2 - Hope you find something you haven't heard before and like!
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trashnlemmon
thanks! I honestly don't remember what I listened to but I'll check them out :)
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BlueStreetNotes
Happy New Year to you too! Great to see Charlie Parker in your scrobbles. Horace Silver once said, " You can sum up jazz history with four words: Louis Armstrong Charlie Parker." - Without Bird, we wouldn't have much of the music we have today.
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BlueStreetNotes
Thanks! And a very happy new year to you too! Hope you find lots of new music in 2026.
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lugubre_gondola
I want to wish you happy holidays and a great new year. Thank you so much for all the comments you wrote in my shoutbox, for people like you I'm still on this site. I'll listen to that Bill Evans' recording and write back with my impressions, and also ty for the book recommendation, books are one of my fav things in this world and if it's a Bill Evans bio I'm definitely in for a great reading. So any book or music recs you have, or a jazz music talk, always feel free to write me 🖤🎄
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BlueStreetNotes
Thank you and the same to you! I hope 2026 is filled with lots of new musical discoveries!
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BlueStreetNotes
These aren't all ECM label artists, but you might enjoy them as they are similar to Tord - Esbjörn Svensson Trio, Bobo Stenson, Joe Lovano, Ketil Bjørnstad, Avishai Cohen, The Bad Plus, Bokani Dyer Trio, Gogo Penguin, Foehn Trio, Mammal hands, Omer klein, Vijay Iyer, Emil Brandqvist Trio, Manu Katche, Paul Motian. Hope that helps!
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BlueStreetNotes
On October 17, 1988 Keith Jarrett gave a concert at Salle Pleyel in Paris. While it may not be as famous as the “Köln Concert”, the ”Paris Concert” could very well be his finest performance. The last 10 minutes and 33 seconds of Track 1 are the most magically transporting piano efusions I have ever heard. Jarret is 15 years older on the Paris Concert recording than he was on Köln and the world has changed, he's a different player at this point in his career and there is an urgency in his command - an immediacy coupled with a subtle understanding that this could be the final reckoning and he lays everything bare - that ethereal chaos, entirely contained as he walks with Dante through the final circles of hell, only to be reborn and ultimately, find freedom, real freedom - from all of it - in those final whispered notes. On October 17, 1988, Mr. Jarrett played that piano in Paris like he might never play piano again...and the audience heard it...and they never forgot it.
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guilhermealves_
Hi there! My name is Guilherme, I’m from Brasil and lately I’ve been more into jazz music. Can you recommend me some great piano musicians like Bill Evans? Hope everything is great with you and your loved ones!
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BlueStreetNotes
Guilherme - hope everything is good in Brasil - if you enjoy Bill Evans (he is one of the all time greats) here are some other pianists and albums you might enjoy: Keith Jarrett - The Melody At Night With You - also any of Keith Jarret's Trio albums - especially Standard in Norway and Still Live. You might also like - Charles Mingus - Mingus Play Piano, Thelonious Monk - Solo Monk and Thelonious Alone in San Francisco, Chick Corea - Triology 1, 2 and 3 with Brian Blade and Christian McBride, John Lewis, The John Lewis Piano, Sir Roland Hanna - Colors from a Giant's Kit, Paul Bley - Solo and Alone Again: Solo Piano, Barry Harris - Listen to Barry Harris...Solo Piano, Kenny Drew - Kenny Drew and His Progessive Piano, Kenny Barron with Charlie Haden - Night And the City, McCoy Tyner - Plays John Coltrane: Live at The Village Vanguard, Jan Johansson - Blues, Tord Gustavsen - Changing Places, Brad Mehldau - Songs: The Art of the Trio, Red Garland - Red Garland's Piano
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BlueStreetNotes
And finally, Ahmad Jamal - Ahmad Jamal at The Pershing: But Not For Me, Sonny Clark - Blues In The Night and John Hicks - Sweet Love Of Mine. Hope that Helps and let me know if you find anything you like!
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guilhermealves_
Thank you so much! I’ll listen to everything you said! Truly appreciate it!
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Kaksoisnikke
Most reliable jazzhead on my radar on this site. I can use you as my reference point when I discover artists and see how much you've listened to them :D but how are your scrobbles so high, do you play music like all the time you're awake? :D
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BlueStreetNotes
I do. Music is going 24/7 in my home. For some, coffee is the best part of waking up. For me, its putting on another jazz record. Hope you find some music that continues to speak to you.
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Kaksoisnikke
Even better to do both coffee and jazz for me! Sounds like a wonderful time, all the best to you
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BlueStreetNotes
Jack DeJohnette - August 9, 1942 - October 26, 2025 - You will be missed my friend. Thank you for everything that you gave us while you were here. The world is a better place with you having been a part of it. Jack DeJohnette was celebrated as a rhythmic architect of modern jazz, blending technical mastery with bold creativity. He developed what he called a “multidirectional” style, distributing time and accents across the entire kit instead of relying solely on the ride cymbal. This gave his playing a fluid, earthy, and elastic quality, instantly recognizable to anyone who heard him. Originally trained as a pianist, DeJohnette often said he approached the drums as if improvising on a piano: every strike a chord, every silence a breath. His drumming wasn’t just about keeping time, it was about conversing, pushing, and inspiring the musicians around him.
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BlueStreetNotes
Here's a few to check out - Paul Bley, Jaki Bird, Sir Roland Hanna, Gene Harris, Cedar Walton, Steve Kuhn, Andrew Hill, Roy Meriwether, Lennie Tristano, McCoy Tyner, Ahmad Jamal, Dollar Brand (Abdullah Ibrahim) and Horace Tapscott - The Tapscott Sessions Vol 1 - 11. There's so many but hopefully there something interesting among them for you.
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SpanglishTechno
It says "very low" music compatability but I'll be listening to a lot of ECM albums again, so I'm sure that will change soon enough
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BlueStreetNotes
Nice! When Manfred Eicher started ECM in 1969, he not only created one of the greatest record labels of all time, he created a musical genre unlike any other. Happy listening my soon to be very highly compatable listener!
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crankhead_69
hi there. that's one very inspiring library you got... could you recommend me some jazz albums that are not too obvious, that you might consider underrated but essential for music enthusiasts? I've been scratching on the surface like all my life...
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BlueStreetNotes
Here are some lesser known gems you might check out: Paul Bley - Introducing Paul Bley (Charles Mingus discovered Paul Bley at a jazz workshop in 1953 and convinced him to record. So impressed with his ability he was able to recruit Art Blakey to join him on the record) - Chick Corea - Tones for Jones Bones (Released in 1968, this is vintage Corea at his finest and the track Litha may be his best work) - Hank Crawford - More Sould (Crawford was the music director in Ray Charles' group and in 1961 he released his first album as band leader on saxaphone) - Jack DeJohnette - Jackie Board (Most people don't know drummer Jack Dejohnette started his career as a pianist and this EP is Jack at his finest) -additionally you may like, Johnny Griffin - Night Lady, Freddie Hubbard - Hub-Tones, Joe Gordon - Introducing Joe Gordon, Jackie McLean - Capuchin Swing, Stanley Turrentine - Joyride and everyone knows Miles, but not everyone knows his album Nefrtiti which is an absolute masterpiece.
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crankhead_69
do you know the norman granz jam sessions? some of them are really good. I think the first two feature musicians like charlie parker & johnny hodges. here's a playlist, if you're interested: https://www.youtube.com/watch?v=dpbybCTyTJ8&list=PL1qTRq3yOpo-g9lQ4F6Mlk-QcVD2Dd9Rc&index=1
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BlueStreetNotes
Paul Winter and Carlos Lyra released in album in 1964 called "The Sound of Ipanema," that is also a jazz/bossa nova type album. Also, Ike Quebec's, "Bossa Nova Soul Samba," might fit what you're looking for. And if all else fails, Getz has another album with Charlie Bird that was released in 1962 called, "Desafinado," that is very similar. Hope that helps and happy listening!
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BlueStreetNotes
"There are four qualities essential to a great jazzman. they are taste, courage, individuality, and irreverence. You can read all the textbooks and listen to all the records you want, but at the end of the day, you have to play with musicians that are better than you." - Stan Getz
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BlueStreetNotes
Its the lineup from Kind of Blue - hands down, the greatest jazz group ever assembled - Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers and Jimmy Cobb. There will never be a more talented group of jazz musicians playing together ever again. In terms of his Quintets, I am partial to the First Great Quintet from 1955 - 1958 which featured John Coltrane, Red Garland, Paul Chambers and my man, Philly Joe Jones on drums - another remarkable Hall of Fame lineup. A lesser known group that Miles put together, but also one of my favorites, was the group he put together for Live Evil - Gary Bartz on saxaphone, John McLughlin on guitar, Michael Henderson on bass and two of my favorite players, Keith Jarrett on keys and Jack DeJohnette on drums round out the ensemble. Miles was a master at pairing the best with the best for the sound he was trying to achieve at that point in his career. What about you? What is your favorite Miles group?
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BlueStreetNotes
The Second Great Quintet is also a Hall of Fame lineup - the thing that always blew me away was the fact that Tony Williams was only 17 when Miles recruited him. 17 years old and to have chops like he did is remarkable. Also, unless you were actually at the Plugged Nickel in 1965, the only way you could have heard their sound is through the Live At the Plugged Nickel recordings and Wayne Shorter mentions in his biography, that Miles didn't even tell the band they were being recorded - so there is a freedom and suprise in those records that is fantastic. Excellent choice!
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BlueStreetNotes
The other reason those recordings are so unique, is because it was the exact night the group had decided they were tired of their sound. They had been playing with Miles for over a year so Tony Williams told everyone, we have to mix it up tonight, whatever you think you are supposed to do - do the opposite - the idea was to break up the harmonic cliches - and it took a few sets, but Miles finally caught on - and it completely changed the groups sound and this all happened on the first night Columbia was recording at the Plugged Nickel. The timing was perfect!
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BlueStreetNotes
For me its a tie between Cecil Taylor and Anthony Braxton - what about you?
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bukang-liwayway
valid picks. it's a tie for me as well between yosuke yamashita trio, charles tyler, and alan silva
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Le_Coquelicot
Compatibilidad “Muy Baja”, una cuenta creada en 2021, pero con 12.455 artistas y 284.488 scrobblings 😯 ¡qué interesante! Mañana escucharé tu colección. 🖤
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BlueStreetNotes
Its not just you - its been a steady decline since the beginning of the year. Its a shame, because the music info on the site is fantastic - but I keep wondering if today will be the day we get the email that they are shutting down for good.
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shapeofjazz
Amazing charts ! Passing by daily to get some inspiration ! Jazzscrobbler at its finest ! Cheers from France ;-)
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BlueStreetNotes
Thanks so much for stopping by - your charts reflect everything that is great about jazz and what it means to the world. Inspiring to see Chick Corea's Piano Improvisations in your recent listens - have you heard his duo piano improvisation album with legendary classical pianist Friedrich Gulda - it is quite the exercise in excellence. Solo piano improvsation is hard enough - but to attempt and succeed with four hands is remarkable and the end result doesn't disapoint. Hope the music is speaking to you today.
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gazad-jewerdin
Thanks for the shout! I haven't listened much to Clifford Brown for some reason but picked up Beginning and End yesterday and like what I am hearing. Nice profile you got, following for some inspiration! Cheers.
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BlueStreetNotes
Thanks - here's another one for you, "“Monk was a gentle person, gentle and beautiful, but he was strong as an ox. And if I had ever said something about punching Monk out in front of his face – and I never did – then somebody should have just come and got me and taken me to the madhouse, because Monk could have just picked my little ass up and thrown me through a wall.” - Miles Davis on Thelonious Monk
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Chamomilionaire
I hate to keep spamming you recs but last.fm doesn't have a tag feature, or else I'd just tag you in the album shoutbox page itself.. but here's one you probably haven't heard. Tarzan's Theme is fun key: https://www.last.fm/music/Madlib/Madlib+Medicine+Show+No.+07:+High+Jazz
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