|
1
|
|
|
|
197 - How do bad movies get made?
|
|
|
4 Hörer
|
|
2
|
|
|
|
551 - Making the Modern Comedy Series
|
|
|
3 Hörer
|
|
3
|
|
|
|
218 - Features are different
|
|
|
3 Hörer
|
|
4
|
|
|
|
234 - The Script Graveyard
|
|
|
3 Hörer
|
|
5
|
|
|
|
403 - How to Write a Movie
|
|
|
3 Hörer
|
|
6
|
|
|
|
378 - The Worst of the Worst
|
|
|
3 Hörer
|
|
7
|
|
|
|
353 - Bad Behavior
|
|
|
3 Hörer
|
|
8
|
|
|
|
416 - Fantasy Worldbuilding
|
|
|
3 Hörer
|
|
9
|
|
|
|
Working It Out: Screenwriting Advice You’ll Actually Use
|
|
|
3 Hörer
|
|
10
|
|
|
|
191 - The Deal with Scripped.com
|
|
|
3 Hörer
|
|
11
|
|
|
|
195 - Writing for Hollywood without living there
|
|
|
3 Hörer
|
|
12
|
|
|
|
225 - Only haters hate rom-coms
|
|
|
3 Hörer
|
|
13
|
|
|
|
227 - Feel the Nerd Burn
|
|
|
3 Hörer
|
|
14
|
|
|
|
232 - Fun with Numbers
|
|
|
3 Hörer
|
|
15
|
|
|
|
248 - Pitching an Open Writing Assignment
|
|
|
3 Hörer
|
|
16
|
|
|
|
499 - Live and In Person!
|
|
|
3 Hörer
|
|
17
|
|
|
|
520 - You Can't Even Imagine
|
|
|
3 Hörer
|
|
18
|
|
|
|
523 - A Screenwriter's Guide to Bullshitting
|
|
|
3 Hörer
|
|
19
|
|
|
|
434 - Ambition and Anxiety
|
|
|
2 Hörer
|
|
20
|
|
|
|
236 - Franchises and Final Draft
|
|
|
2 Hörer
|
|
21
|
|
|
|
235 - The one with Jason Bateman and the Game of Thrones guys
|
|
|
2 Hörer
|
|
22
|
|
|
|
196 - The long and short of it
|
|
|
2 Hörer
|
|
23
|
|
|
|
198 - Back to 100
|
|
|
2 Hörer
|
|
24
|
|
|
|
240 - David Mamet and the producer pass
|
|
|
2 Hörer
|
|
25
|
|
|
|
507 - Preproduction
|
|
|
2 Hörer
|
|
26
|
|
|
|
510 - Craft Compendium
|
|
|
2 Hörer
|
|
27
|
|
|
|
187 - The Coyote Could Stop Any Time
|
|
|
2 Hörer
|
|
28
|
|
|
|
186 - The Rules (or, the Paradox of the Outlier)
|
|
|
2 Hörer
|
|
29
|
|
|
|
194 - Poking the bear
|
|
|
2 Hörer
|
|
30
|
|
|
|
221 - Nobody Knows Anything (including what this quote means)
|
|
|
2 Hörer
|
|
31
|
|
|
|
229 - Random Advice 2015
|
|
|
2 Hörer
|
|
32
|
|
|
|
432 - Learning from Movies
|
|
|
2 Hörer
|
|
33
|
|
|
|
522 - Blindspots and Natural Structures
|
|
|
2 Hörer
|
|
34
|
|
|
|
581 - A Guide to Good Writing
|
|
|
2 Hörer
|
|
35
|
|
|
|
182 - The One with Rebel Wilson and Dan Savage
|
|
|
2 Hörer
|
|
36
|
|
|
|
183 - The Deal with the Gravity Lawsuit
|
|
|
2 Hörer
|
|
37
|
|
|
|
210 - One-Handed Movie Heroes
|
|
|
2 Hörer
|
|
38
|
|
|
|
357 - This Title is an Example of Exposition
|
|
|
2 Hörer
|
|
39
|
|
|
|
192 - You can't train a cobra to do that
|
|
|
2 Hörer
|
|
40
|
|
|
|
193 - How writing credits work
|
|
|
2 Hörer
|
|
41
|
|
|
|
224 - Whiplash, on paper and on screen
|
|
|
2 Hörer
|
|
42
|
|
|
|
425 - Tough Love vs. Self Care
|
|
|
2 Hörer
|
|
43
|
|
|
|
511 - Framing the Episode
|
|
|
2 Hörer
|
|
44
|
|
|
|
512 - There is No Conspiracy
|
|
|
2 Hörer
|
|
45
|
|
|
|
513 - Writing for Stars
|
|
|
2 Hörer
|
|
46
|
|
|
|
521 - Action Density
|
|
|
2 Hörer
|
|
47
|
|
|
|
556 - Let's Catch Up
|
|
|
2 Hörer
|
|
48
|
|
|
|
176 - Advice to a First-Time Director
|
|
|
2 Hörer
|
|
49
|
|
|
|
201 - How would this be a movie?
|
|
|
2 Hörer
|
|
50
|
|
|
|
202 - Everyman vs. Superman
|
|
|
2 Hörer
|
