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This album was entirely recorded using the "musique concrète" cut and splice method of assemblage. Recorded in 1991 on 1/4 track reel-to-reel tape recorders, employing tape loops and over-dubbing rather than multi-tracking. All of this with out the aid of any pre-made effects (digital or analog), in other words, the apparent reverb and delays (echos) heard throughout are created with feedback (tape delay) on the reel-to-reels or naturally occurring reverberations, on one track by suspending microphones in 55 gallon… read more


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