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The windchill outside of the rickety old boathouse was sub-zero and the wind was whipping up giant snow dunes on a frozen Lake Erie. Inside, Zack Orr sat at an ancient upright piano recording an ambient melody for the winter section of what was to become his newest album, Francisco the Man. "Twelve songs in twelve keys for the twelve months in a year" he says, before sipping some whiskey to try to warm up. "Each season has its own… read more

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