Releases September 28, 2018
Largely recorded during several trips to Japan in collaboration with members of the Tokyo Gakuso ensemble, the album features Hecker’s signature manipulation of source material — keening strings are stretched into surreal, pixelated mirages; woodwinds warble and dissipate as fractal whispers of spatial haze; sparse gestures of percussion are chopped, isolated, and eroded, like disembodied signals from the afterlife.
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