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Faces of Sarah were originally formed in 1999 in London by Nick Schultz, Alan Tampion and John Currie. They released their debut EP 'Belief' as a self released cd, this immediately brought them record label attention and was soon followed by the album '24' in 2000. The album proved to be highly successful among the alternative/gothic/indie rock circles.

However it was the immensely popular collaboration, between Faces of Sarah and Candia McKormack from Inkubbus Sukkubus on the 'Misery Turns EP', produced by Andy Riley (Produce for Iron Maiden and Paradise Lost) which finally brought them mainstream attention, and resulted in them playing main stages at festivals in Hungary, Austria, Poland, Slovakia, and The Republic of Ireland. At home the shows were proving popular, and the band played at large venues such as London's Astoria, etc.

In 2004 they released an EP and video for 'Impurity' followed by an invitation to tours as the support act to world famous band the Mission. Following a lineup change the band returned to the studio to record the album 'Lament' with Paul Miles of Fields of The Nephilim/NFD at the production helm. Subsequent to relentless touring and the accompanying excesses, Faces of Sarah announced an indefinite hiatus at a sold out show at London's Camden Underworld in 2010.

In 2012 Nick Schultz started working on music Eddie Martin and in October 2012 offer came in to play a show in Poland, as Faces of Sarah, a temporary line up was arranged and following the huge success of another sold out show, it was decided to reform.

The current line up includes:

  • Nick Schultz - Vocals
  • Eddie Martin (ex Revolution By Night/Cybercide/Voices of Masada) - Guitars
  • Irish Dave (ex Killing Miranda/Sterile Prophet) - Bass
  • Lukas P - Guitars

The final line up will be announced once the last remaining auditions have been completed.

Their musical style can best be described as melody driven hard rock, appealing to alternative, hard rock, 80's and even pop, as well as having growing mainstream appeal.

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