The Beacon crowns Ashurst Hill in Dalton, Lancashire, looming over the verdant English countryside nearly six hundred feet above sea level. This spartan brick monolith was erected in 1798 as a watch tower to warn of French invasion during the Napoleonic War — & there it silently remains, keeping infinite vigil. It stands in Tess Roby’s mind. The Beacon calls to her. “Throughout my life I have felt the pull to return to it,” she says. “I’m beckoned by father’s roots & by the sullen landscape of fields leading to the coast.”
Tess Roby is an artist with a vision. The Montreal-based photographer & musician, an eight-year veteran of the Canadian Children’s Opera Company, seems utterly original, moving with a restless energy toward the sublime. Her sound betrays an intrepid longing to discover and explore, to reject convention and transcend cliché: Roby is a born traveller, absorbing everything she hears & making it new. Ethereal & crystalline, bathed sumptuously in synths, her music is heady, dreamy, singular — a transmission from parts unknown. The classical training & aesthetic omnivorousness combine like worlds colliding.
Roby’s debut album Beacon was written in 2015, following the death of her father. She collaborated with her brother Eliot to create what they describe as a kind of spiritual homage — both to her father & to the Beacon, where the family travelled often. Roby recorded these songs with the drum machines & synthesizers she found in her father’s recording studio, & galvanized by his spirit she imbued the music with love, movement, whispers, memories, & pain. “All the while the Beacon remained effervescent in my mind,” Roby remembers. “Visions of it ablaze on the hilltop, standing motionless while I searched for understanding.”
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