Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Play track | Please Send Me Someone to Love |
|
|
9:49 | |||
| 2 | Play track | Stompin' at the Savoy |
|
|
3:12 | |||
| 3 | Play track | The Very Thought of You |
|
|
4:13 | |||
| 4 | Play track | Almost Like Being in Love |
|
|
4:52 | |||
| 5 | Play track | If I Were a Bell | Miles Davis |
|
|
11:59 | ||
| 6 | Play track | I Know Why (And so Do You) |
|
|
4:47 | |||
| 7 | Play track | I Can't Give You Anything but Love |
|
|
5:04 | |||
| 8 | Play track | But Not for Me |
|
|
5:50 |
Similar Albums
Scrobble Stats
Recent Listening Trend
| Day | Listeners |
|---|---|
| 83 | |
| 83 | |
| 107 | |
| 93 | |
| 93 | |
| 110 | |
| 96 | |
| 89 | |
| 83 | |
| 85 | |
| 97 | |
| 86 | |
| 87 | |
| 106 | |
| 88 | |
| 104 | |
| 89 | |
| 89 | |
| 97 | |
| 110 | |
| 109 | |
| 105 | |
| 98 | |
| 124 | |
| 85 | |
| 85 | |
| 90 | |
| 94 | |
| 108 | |
| 102 | |
| 119 | |
| 123 | |
| 92 | |
| 130 | |
| 134 | |
| 117 | |
| 119 | |
| 110 | |
| 97 | |
| 114 | |
| 118 | |
| 125 | |
| 127 | |
| 128 | |
| 112 | |
| 109 | |
| 89 | |
| 88 | |
| 129 | |
| 106 | |
| 133 | |
| 123 | |
| 119 | |
| 134 | |
| 99 | |
| 123 | |
| 131 | |
| 127 | |
| 97 | |
| 33 | |
| 108 | |
| 113 | |
| 107 | |
| 101 | |
| 89 | |
| 113 | |
| 105 | |
| 90 | |
| 116 | |
| 108 | |
| 100 | |
| 141 | |
| 149 | |
| 144 | |
| 132 | |
| 119 | |
| 117 | |
| 120 | |
| 122 | |
| 129 | |
| 157 | |
| 135 | |
| 125 | |
| 118 | |
| 188 | |
| 151 | |
| 120 | |
| 133 | |
| 149 | |
| 145 | |
| 146 | |
| 121 | |
| 127 | |
| 125 | |
| 117 | |
| 130 | |
| 145 | |
| 145 | |
| 152 | |
| 124 | |
| 116 | |
| 138 | |
| 152 | |
| 123 | |
| 167 | |
| 160 | |
| 139 | |
| 139 | |
| 146 | |
| 147 | |
| 160 | |
| 148 | |
| 159 | |
| 168 | |
| 163 | |
| 173 | |
| 149 | |
| 158 | |
| 168 | |
| 198 | |
| 135 | |
| 162 | |
| 186 | |
| 202 | |
| 196 | |
| 162 | |
| 159 | |
| 165 | |
| 156 | |
| 161 | |
| 147 | |
| 175 | |
| 175 | |
| 156 | |
| 152 | |
| 172 | |
| 166 | |
| 159 | |
| 167 | |
| 153 | |
| 168 | |
| 145 | |
| 163 | |
| 171 | |
| 136 | |
| 123 | |
| 140 | |
| 152 | |
| 126 | |
| 150 | |
| 146 | |
| 157 | |
| 153 | |
| 154 | |
| 145 | |
| 112 | |
| 169 | |
| 158 | |
| 128 | |
| 150 | |
| 166 | |
| 135 | |
| 175 | |
| 150 | |
| 181 | |
| 186 | |
| 147 | |
| 184 | |
| 194 | |
| 196 | |
| 183 | |
| 180 | |
| 160 | |
| 204 | |
| 189 | |
| 182 | |
| 192 | |
| 208 | |
| 180 |
External Links
About This Artist
Red Garland
128,903 listeners
Largely self-taught, Red Garland established a reputation as a solid post-bop mainstream player in the 50s, playing with many of the most famous jazz musicians of the time. He achieved international fame in the late 50s as part of the Miles Davis quintet. He went on to lead his own groups, but then retired in 1968, a victim the declining demand for jazz. He reemerged in 1976 and performed regularly until his death in 1984. Garland was known for his eloquent middle-of-the-road style. A fertile, often moving improvisor, he developed a characteristic block chord sound by combining octa… read more
Largely self-taught, Red Garland established a reputation as a solid post-bop mainstream player in the 50s, playing with many of the most famous jazz musicians of the time. He achieved inte… read more
Largely self-taught, Red Garland established a reputation as a solid post-bop mainstream player in the 50s, playing with many of the most famous jazz musicians of the time. He achieved international fame in the late 50s as part of the … read more
